Join soprano Danielle Talamantes for an intimate evening at the Miner Music Center at Stevenson Hall. Doors will open at 5:30 p.m. for Prosecco and wine at an open bar with lite fare. Music will follow featuring Romantic French chanson and Duke Ellington Standards.
Dress code is open - you can choose to wear your operatic finest or come in Xtratufs.
Space is limited and last year's event sold out - reserve your tickets today!
Selections of French chanson
Gabriel Fauré (1845 - 1924)
Aprés un Rêve
Chanson d’Amour
En Sourdine
Tres arias
Joaquín Turina (1882 - 1949)
Romance
El pescador
Rima
Selections from Ten Poems of James Joyce
Henry Dehlinger (1966 - )
Strings in the Earth and Air
Alone
At That Hour
Selections from Moments in Sonder
Elizabeth Brittany Boykin (1989 - ), poetry by Maya Angelou
Tears
Passing Time
How Can I Lie to You
The Lesson
Selections from the American Songbook
Duke Ellington (1899 - 1974)
Solitude
Don’t Get Around Much Anymore
Sentimental Mood
Danielle Talamantes –
“It’s not often that an operagoer is fortunate enough to witness the birth of a star!,” noted of Soprano Danielle Talamantes’ recent turn as Violetta in La Traviata with Hawaii Opera Theatre. Last season she made her Washington National Opera début as Maria Hernández in Kamal Sankaram’s Rise as part of their production Written in Stone, returned to her signature role as Mimì in Puccini’s La Bohème with Jacksonville Symphony and three world premiers: Mosaic for Earth by composer Dwight Bigler at her Alma Mater, Virginia Tech, the rhapsody written for Talamantes and orchestra based on T.S. Eliot’s iconic poem The Love Song of J. Alfred Prufrock with the National Philharmonic, and the stunning choral cantata Kohelet with the Washington Master Chorale and Santa Clara Master Chorale; the latter two works by acclaimed composer Henry Dehlinger. The conclusion of the season was with the Fairfax Symphony in the Beethoven Symphony No. 9 and a debut as guest soloist with the Buffalo Philharmonic.
This season’s engagements include Mahler’s Symphony No. 4 and Ginastera’s Milena with the National Philharmonic, Verdi’s Requiem with the Pensacola Symphony and the NC Master Chorale, Britten’s War Requiem with Opera Roanoke, Handel’s Messiah with The US Naval Academy, as well as concerts with Lyric Fest, Choralis, and the Artist Series of Sarasota.
Recent seasons performances include Frasquita in Bizet’s Carmen and Anna in Verdi’s Nabucco with The Metropolitan Opera, Beatrice in Catán’s Il postino with VA Opera, Marzelline in Beethoven’s Fidelio with Princeton Festival; Violetta in La traviata with Hawaii Opera Theater, Cedar Rapids Opera Theatre, and Finger Lakes Opera, Mimì in La bohème with St Petersburg (FL) Opera and Jacksonville Symphony; the title role of Susannah with Opera Roanoke; Donna Anna in Don Giovanni with Cedar Rapids Opera Theater; and a Spoleto Festival USA début as Sergente in Cavalli’s Veremonda.
Professional recordings include At That Hour: Art Songs by Henry Dehlinger on the Avie Record Label; Canciones españolas and Heaven and Earth: A Duke Ellington Songbook on the MSR Classics label.