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Festival Finale: Chopin, Dvořák, & Quinn Mason - Summer Subscription Concert Number 8

  • Harrigan Centennial Hall 330 Harbor Drive Sitka, AK, 99835 United States (map)

Join us for our final subscription concert of the 2024 festival featuring a group of festival friends and family members. The concert opens with star pianist, Natasha Paremski performing Quinn Mason's: New Era Bagatelles followed by Chopin's Piano Sonata No. 2 before wrapping up with Dvorak's Piano Quintet No. 2.  

Program

Quinn Mason: New Era Bagatelles 

Frédéric Chopin: Piano Sonata No. 2 in B flat minor, Op. 35

Natasha Paremski, piano

—Intermission—

Antonin Dvořák: Piano Quintet No. 2, Op. 81

Helen Kim, Violin

Allison Bailey, Violin

Yinzi Kong, Viola

Zuill Bailey, Cello

William Ranson, Piano 1/3

          Jasmin Arakawa, piano  2/4

 

With her consistently striking and dynamic performances, pianist Natasha Paremski reveals astounding virtuosity and profound interpretations. She continues to generate excitement from all corners as she wins over audiences with her musical sensibility and a powerful, flawless technique.

 

Natasha is a regular return guest of many major orchestras, including Minnesota Orchestra, San Francisco Symphony, Grant Park Festival, Winnipeg Symphony, Kitchener-Waterloo Symphony, Oregon Symphony, Elgin Symphony, Colorado Symphony, Buffalo Philharmonic, Virginia Symphony, and Royal Philharmonic Orchestra with whom she has performed and toured frequently since 2008 in venues such as Royal Albert Hall, Royal Festival Hall, and Cadogan Hall. She has performed with major orchestras in North America including Dallas Symphony Orchestra, Los Angeles Philharmonic Orchestra, San Diego Symphony, Toronto Symphony, Baltimore Symphony, Houston Symphony, NAC Orchestra in Ottawa, Nashville Symphony. She has toured extensively in Europe with such orchestras as Bournemouth Symphony Orchestra, Vienna’s Tonkünstler Orchester, Royal Scottish National Orchestra, Orchestre de Bretagne, the Orchestre de Nancy, Royal Liverpool Philharmonic Orchestra, Tonhalle Orchester in Zurich, Moscow Philharmonic, under the direction of conductors including Thomas Dausgaard, Peter Oundjian, Andres Orozco-Estrada, Jeffrey Kahane, James Gaffigan, JoAnn Falletta, Fabien Gabel, Rossen Milanov and Andrew Litton. In addition, she has toured with Gidon Kremer and the Kremerata Baltica in Latvia, Benelux, the United Kingdom and Austria as well as appearances with National Taiwan Symphony Orchestra in Taipei.

 

Natasha has given recitals at the Auditorium du Louvre in Paris, Wigmore Hall, Schloss Elmau, Mecklenburg-Vorpommern Festival, Verbier Festival, San Francisco Performances, Seattle’s Meany Hall, Kansas City’s Harriman Jewell Series, Santa Fe’s Lensic Theater, Ludwigshafen BASF Series, Teatro Colon in Buenos Aires, Tokyo’s Musashino Performing Arts Center and on the Rising Stars Series of Gilmore and Ravinia Festivals.

A passionate chamber musician, Natasha is a regular recital partner of Grammy winning cellist Zuill Bailey, with whom she has recorded a number of CDs. Their Britten album on Telarc debuted at No. 1 on the Billboard Classical Chart, remaining there for a number of weeks, in addition to being featured on The New York Times Playlist. She has been a guest of many chamber music festivals such as Jeffrey Kahane’s Green Music Center ChamberFest, the Lockenhaus, Toronto, Sitka Summer Music, and Cape Cod Chamber Music festivals to name a few.

 

Natasha was awarded several prestigious prizes at a very young age, including the Gilmore Young Artists prize in 2006 at the age of eighteen, the Prix Montblanc in 2007, the Orpheum Stiftung Prize in Switzerland. In September 2010, she was awarded the Classical Recording Foundation’s Young Artist of the Year. Her first recital album was released in 2011 to great acclaim, topping the Billboard Classical Charts, and was re-released on the Steinway & Sons label in September 2016 featuring Islamey recorded on Steinway’s revolutionary new Spirio technology. In 2012 she recorded Tchaikovsky’s Piano Concerto No. 1 and Rachmaninoff’s Paganini Rhapsody with Royal Philharmonic Orchestra and Fabien Gabel on the orchestra’s label distributed by Naxos.

 

With a strong focus on new music, Natasha’s growing repertoire reflects an artistic maturity beyond her years. In the 2010-11 season, she played the world premiere of a sonata written for her by Gabriel Kahane, which was also included in her solo album.

 

Natasha continues to extend her performance activity and range beyond the traditional concert hall. In December 2008, she was the featured pianist in choreographer Benjamin Millepied’s Danses Concertantes at New York’s Joyce Theater. She was featured in a major two-part film for BBC Television on the life and work of Tchaikovsky, shot on location in St. Petersburg, performing excerpts from Tchaikovsky’s First Piano Concerto and other works. In the winter of 2007, Natasha participated along with Simon Keenlyside in the filming of Twin Spirits, a project starring Sting and Trudie Styler that explores the music and writing of Robert and Clara Schumann, which was released on DVD. She has performed in the project live several times with the co-creators in New York and the U.K., directed by John Caird, the original director/adaptor of the musical Les Misérables.

 

Natasha began her piano studies at the age of four with Nina Malikova at Moscow’s Andreyev School of Music. She then studied at San Francisco Conservatory of Music before moving to New York to study with Pavlina Dokovska at Mannes College of Music, from which she graduated in 2007. Natasha made her professional debut at age nine with El Camino Youth Symphony in California. At the age of fifteen she debuted with Los Angeles Philharmonic and recorded two discs with Moscow Philharmonic Orchestra.

 

Born in Moscow, Natasha moved to the United States at the age of eight, becoming a U.S. citizen shortly thereafter, and is now based in New York City where she is Artistic Director of the New York Piano Society, a non-profit organization that supports pianists whose professions lie outside of music.

 

Helen Hwaya Kim made her orchestral debut with the Calgary Philharmonic at

the age of six. She has appeared as a soloist with the Boston Pops at Boston's

Symphony Hall, as well as with the Milwaukee and Atlanta Symphony

Orchestras. Ms. Kim earned her Bachelor and Master's Degree from the Juilliard

School, where her teachers included Hyo, Kang, Cho-Liang Lin and Dorothy

DeLay. While at Juilliard, she served as Concertmaster of the Juilliard Orchestra

and was the winner of the Juilliard Concerto Competition at both the pre–college

and college levels. She is the recipient of more than one hundred national and

international awards. She won the prestigious Artists International Competition in

New York and, as a result, gave debut recitals at Carnegie Weill Hall and the

Aspen Summer Music Festival. A native of Canada, Ms. Kim has been engaged

as soloist by many of Canada’s leading orchestras, including the National Arts

Center Orchestra, Montreal Metropolitan Orchestra, Vancouver Symphony,

McGill Chamber Orchestra, and the Windsor, Regina, Victoria and Prince George

Symphonies. She has also appeared as soloist with the DeKalb, New Orleans,

Aspen and Banff Festival Orchestras, and with orchestras in the United Kingdom,

Germany and Poland. Ms. Kim has toured extensively throughout Canada and

the United States, including performances at Alice Tully Hall and the Santa Fe,

La Jolla, Highlands-Cashiers, Amelia Island, El Paso Pro Musica,Zenith and

Sitka International Chamber Music Festivals. She recently made her debut at the

Concertgebouw in Amsterdam and at the St Miguel de Allende International

Chamber music festival.

Ms. Kim currently resides in Atlanta, Georgia, where she served as Assistant and

Associate Concertmaster for the Atlanta Symphony for three seasons. She is

currently the Assistant Concertmaster of the Atlanta Opera Orchestra and serves

as Professor of Violin and Chair of the String Department at Kennesaw State

University.

Hailed by Gramophone for her ‘characterful sparkle’, Jasmin Arakawa has performed widely in North America, Central and South America, Europe, China and Japan. A prizewinner of the Jean Françaix International Music Competition, she has been heard at Carnegie Hall, Salle Gaveau in Paris and Victoria Hall in Geneva, as well as in broadcasts of the ABC Australia, BBC, PBS and Radio France. She has appeared as a concerto soloist with the Philips Symfonie Orkest in Amsterdam, Orquestra Sinfonica de Piracicaba in Brazil, and numerous orchestras in the United States and her native Japan. Other performance highlights include guest artist appearances at the Toronto Summer Festival, Ribadeo International Music Festival in Spain, Bicentenaire de Chopin in Switzerland, Scotiabank Northern Lights Music Festival in Mexico, Festival de Música de Cámara in Peru, Festival Internacional de Música Erudita de Piracicaba in Brazil, Dame Myra Hess Memorial Concert Series, Fazioli Piano Pure Series in Chicago and Distinguished Concerts International New York. Arakawa released her debut solo album Klavierabend on MSR Classics to critical acclaim, praised by American Record Guide for her ‘rich lyricism’ and ‘supreme clarity’.

She has a special interest in Spanish repertoire, which grew out of a series of lessons with Alicia de Larrocha. As a prizewinner of the Competition in the Performance of Music from Spain and Latin America and under the sponsorship of the Spanish Embassy, she subsequently recorded solo and chamber pieces by Spanish and Latin American composers.

Arakawa has collaborated with notable artists including cellists Zuill Bailey, Colin Carr and Gary Hoffman, flutists Jean Ferrandis, Marina Piccinini, and Carol Wincenc, clarinetist James Campbell, and the Penderecki String Quartet. In addition, she has served as Collaborative Pianist in Residence at the Banff Centre in Canada for three seasons. An advocate of new music, Arakawa has premiered and performed numerous contemporary works. Recently she released the complete works of Witold Lutosławski for violin and piano on PARMA Recordings with Canadian violinist Véronique Mathieu.

Jasmin Arakawa is a graduate of Tokyo University of the Arts. She holds Doctor of Music and Master of Music degrees in Piano Performance from Indiana University Jacobs School of Music, where she studied with Emile Naoumoff, the last protégé of Nadia Boulanger. A recipient of the 2016 Steinway Top Teacher Award, Arakawa has given master classes at China Conservatory of Music in Beijing, Conservatorio Nacional de Música in Peru, Instituto Baccarelli in Brazil, and numerous universities in North America and Europe. A sought-after adjudicator, Arakawa has served on the juries of international and national competitions, including the International Chopin Piano Competition for Latin American Pianists (Peru), New Orleans Piano Institute Competition (USA), and Beethoven International Piano Competition ASIA (Japan). Jasmin Arakawa is Associate Professor of Piano and Piano Area Coordinator at the University of Florida, UF Research Foundation Professor (2023-2025), and Director of the UF International Piano Festival.

Pianist, Artistic Director, Master teacher, editor and judge for international competitions, William Ransom regularly appears in recital, as soloist with orchestras, and as a chamber musician in Eastern and Western Europe, Japan, Korea, South America, Mexico, Canada, and throughout the United States. He has performed in New York’s Weill Hall at Carnegie Hall, Alice Tully Hall, Town Hall, and Merkin Hall; in Orchestra Halls in Chicago, Detroit, Los Angeles, and Atlanta; at the National Gallery in Washington D.C.; and in Philadelphia, Boston, Miami, and Dallas.

He has been invited to perform for the American Ambassadors to Austria, Japan, Korea, the Netherlands, and Ireland, and his performances have been broadcast on National Public Radio and Television in the United States, Japan, Korea, Argentina, and Poland. His recording of Enoch Arden, by Richard Strauss, The Music of Alfredo Barili, Chamber Music of Johannes Brahms and “Listening to Memories” with Chopin, Brahms and Bach were released on the ACA label. Mr. Ransom can also be heard on Heartkeys, from Rising Star Records.

Ransom commissioned and premiered several major works by composer Stephen Paulus including his “Concerto for Piano and Wind Ensemble,” and he was also the featured pianist performing music by Dwight Andrews used in August Wilson’s Pulitzer Prize-winning Broadway hit, The Piano Lesson, as well as the Hallmark Hall of Fame movie based on the same play.

A popular performer on many University concert series, he has performed at numerous colleges around the world including Yale, Cornell, Duke, Tulane, Vanderbilt, M.I.T., Stanford, Toho (Japan), Yonsei (Korea), and the School of the Arts (Argentina) where he has also given masterclasses.

Born in Boston, Ransom began his musical studies at an early age. He was a scholarship student of William Masselos at The Juilliard School in New York (BM and MM), and he also worked with Theodore Lettvin at the University of Michigan (DMA) and Madame Gaby Casadesus at the Ravel Academy idn France.

Ransom is the Mary L. Emerson Professor of Piano at Emory University in Atlanta. He is founder and Artistic Director of the Emory Chamber Music Society of Atlanta collaborates with such artists as cellists Yo-Yo Ma, Steven Isserlis, and Zuill Bailey; clarinetist Richard Stoltzman; members of the Emerson, Juilliard, Tokyo, Cleveland, St. Petersburg, American, Ariel, Parker, Vega, Borromeo, Lark, Cavani, Attacca, and Muir String Quartets; violinists William Preucil, Elmar Oliviera, Tim Fain, and Robert McDuffie; guitarist Eliot Fisk, and members of the Empire Brass Quintet, the Eroica Trio and the percussion group Nexus among many other classical musicians. He has also worked with jazz great Dave Brubeck and American bluegrass masters Chris Thile and Mark O’Connor.


In the summers, Ransom is Artistic Director of the Highlands-Cashiers Chamber Music Festival in North Carolina and for ten years was also an artist-faculty member of the Kamisaibara Pianists Camp in Japan. In 2016 he was named Artistic Director of the Juneau Jazz & Classics Festival and also one of Musical America Worldwide’s “30 Musical Innovators.”

Allison Bailey began violin studies at the age of four, developed a love for orchestral playing, and became the youngest member of the Prince William Symphony Orchestra at age ten.  Ms. Bailey attended Peabody Conservatory of Music, the University of Oregon, and the Manhattan School of Music. She holds a Bachelor’s degree, Graduate Performance Diploma, a Master’s degree in violin performance, and a Master’s degree in orchestral performance.

Prior to returning to Virginia in 1999, Ms. Bailey lived and worked in New York City, where she experienced a variety of performing engagements including frequent orchestral performances at Carnegie Hall, recording sessions at Sony studios for Quincy Jones Productions, performing on the soundtrack to the A&E Biography of Irving Berlin, and coaching actress Juliana Margulies in a violinist role for the NBC hit drama Homicide

Ms. Bailey has served as guest conductor for All-County, District, and Regional Orchestras in Fairfax and surrounding counties in addition to serving as adjudicator for the New York Orchestra Festival at Carnegie Hall and state assessments throughout Virginia.  She has also served as audition coach for Senior Regional Prep Day in Fairfax and Spotsylvania Counties, and faculty member of the Virginia Governor’s School for the Arts in Richmond.  

In addition to her post as Concertmaster of the Manassas Ballet Theatre Orchestra, Ms. Bailey also serves as Associate Concertmaster of the Alexandria Symphony Orchestra, Associate Concertmaster of the Fairfax Symphony Orchestra, and is an active freelance musician in the Washington area.  In recent years Ms. Bailey has been a featured soloist with the Alexandria Symphony Orchestra, and chamber musician at the Sitka Music Festival in Alaska and the Highlands-Cashiers Chamber Music Festival in North Carolina.

Violist Yinzi Kong received her early training at the Shanghai Conservatory of Music and holds a master’s degree from the Manhattan School of Music. Ms. Kong enjoys a versatile career as both a soloist and chamber musician and has 20 plus years teaching experience. As a founding member of international award-winning Vega String Quartet, Ms. Kong won several top prizes at the Bordeaux International String Quartet Competition in France, the Carmel String Quartet Competition and the Coleman Competition in the US, and she performs in major concert halls around the world including the stages of Carnegie Hall, the Musikverein in Vienna and the Concertgebouw in Amsterdam. Festival concert appearances include Aspen, La Jolla, Rockport, Mostly Mozart, El Paso Pro Musica, Highlands-Cashiers, and Brevard. As a soloist, Miss Kong has given recitals in Canada, China, Italy and the US. Her collaboration partners are some of the finest musicians of our time including Eliot Fisk, William Preucil, Richard Stoltzman, Charles Wadsworth, Zuill Bailey, and the Eroica Trio. Her live performances have been broadcast on NPR's Performance Today, the National Radio of China, Shanghai TV, Radio France, France Musiques, and the East German Radio. She has recorded for Naxos and Artek. Miss Kong currently resides in Atlanta, where the Vega Quartet are full-time Artists-in-Residence at Emory University.

The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education. 

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June 21

Piano Quartets: Mahler, Mozart, and Schumann - Summer Subscription Concert Number 7

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June 23

Classical Music Brunch