Subscription Concert 8 – A Chamber Music Matinee
Saturday, June 28, 2:30 p.m.
Harrigan Centennial Hall
Join the Sitka Music Festival for an afternoon of exquisite chamber music featuring cellist John-Henry Crawford and pianist Victor Asuncion in a work to be announced. The program continues with Boccherini’s elegant Cello Quintet in C Major, Op. 42 No. 2, led by Grammy-winning cellist Zuill Bailey and the Vega String Quartet. The concert concludes with the sweeping lyricism of Brahms’ Sextet in B-flat Major, Op. 18.
Program
TBA Work – John-Henry Crawford, Cello & Victor Asuncion, Piano
Luigi Boccherini – Cello Quintet in C Major, Op. 42 No. 2, G. 349 (17 min)
Vega Quartet | Zuill Bailey, Cello
— Intermission —
Johannes Brahms – Sextet in B-flat Major, Op. 18 (40 min)
Vega Quartet | Allison Bailey, viola | John-Henry Crawford, cello
Artists
John-Henry Crawford, Cello
Victor Asuncion, Piano
Zuill Bailey, Cello
Vega String Quartet
Allison Bailey, Viola
About the Artists
Zuill Bailey, Cello
Zuill Bailey, widely considered one of the premiere cellists in the world, is a Grammy Award winning, internationally renowned soloist, recitalist, Artistic Director and teacher. His rare combination of celebrated artistry, technical wizardry and engaging personality has made him one of the most sought after and active cellists today.
Mr. Bailey has been featured with symphony orchestras and music festivals worldwide. He won the Best Solo Performance Grammy Award in 2017, for his recording of Michael Daugherty’s Tales of Hemingway, with the Nashville Symphony led by Giancarlo Guerrero. His extensive discography includes his newest release – the world premier recording of Ellen Taaffe Zwilich’s Cello Concerto with the Santa Rosa Symphony.
Mr. Bailey received his Bachelor’s Degree from the Peabody Conservatory where he was named the 2014 Johns Hopkins University Distinguished Alumni, and received a Master’s Degree from the Juilliard School. He performs on the “Rosette” 1693 Matteo Gofriller Cello formerly owned by Mischa Schneider of the Budapest String Quartet.
Vega Quartet
“The music, when it began, simply took over and created a space of its own. Nor did the quartet impose an interpretation on the music; rather, the musicians played with a deceptive simplicity and fluidity that made difficult passages seem childlike in their straightforwardness. ”
— The New York Times
The Vega String Quartet, Quartet-in-Residence at Emory University, is cultivating a new generation of chamber music lovers through dynamic performances and innovative community engagement. The New York Times raved that "[the Quartet’s] playing had a kind of clean intoxication to it, pulling the listener along…the musicians took real risks in their music making" and the L.A. Times praised their “triumphant L.A. debut.” They concertize both nationally and internationally, most recently in Baltimore, Chicago, Nashville, Sacramento, Berlin, San Miguel, the Brahmssaal in Vienna’s Musikverein and the Kleine Zaal in Amsterdam’s Concertgebouw. The Quartet's major performing projects at Emory have included performing the complete cycle of Beethoven quartets, as well as pairing Bach’s complete works for solo violin, viola and cello with the six Bartók quartets. Recent highlights include debuting at the 2023 Kneisel Hall Chamber Festival and opening the Emory Chamber Music Society of Atlanta’s 2023 - 24 season alongside Mark and Maggie O’Connor. The Vega’s 2023 - 2024 season will feature collaborations with flutist Ransom Wilson, cellist Zuill Bailey, and the Juilliard Quartet. Regular commissioners of new music, the quartet will be premiering Joel Thompson’s newest string quartet in March of 2024.
Vega is the brightest star in the Lyra constellation. According to Greek mythology, this constellation represents the lyre which belonged to the legendary musician Orpheus.
A unique aspect of the Quartet’s residency at Emory is bringing performance into the classroom, collaborating with academic professors to create interdisciplinary parallels and conversations. They also enrich the cultural life of their community, having founded the Emory Youth Chamber Music Program, which gives intensive training in small ensemble playing to advanced pre-college students. The Quartet was appointed to the roster of the Woodruff Arts Center’s Young Audience program, engaging thousands of students throughout the greater Atlanta school system. They have also held residencies in Augusta, Jacksonville and Juneau which combined traditional concerts with educational outreach, performances in non-traditional venues and masterclasses for area students.
The Vega Quartet has won numerous international awards, including at the Bordeaux String Quartet Competition, as well as top prizes from the Coleman Chamber Ensemble Competition, the Carmel Chamber Music Competition, and the National Society of Arts and Letters String Quartet Competition. They have toured throughout Asia, Europe and North America and have appeared at Weill Hall and Zankel Hall at Carnegie Hall, Bargemusic, and Duke Hall at the Royal Academy of Music, London. The members of the Vega Quartet collaborate with some of the world's finest musicians including David Shifrin, Mark and Maggie O’Connor, Andres Cardenes, Eliot Fisk, Christopher O’Riley, William Preucil, Richard Stoltzman, Robert Spano, Charles Wadsworth, Soovin Kim, and the Eroica Trio. They also commission, premier and record works by leading composers. The Quartet is a frequent guest at numerous music festivals, including Amelia Island, Aspen, Brevard, Highlands-Cashiers, Juneau Jazz & Classics, Kingston, Mostly Mozart, Rockport, San Miguel de Allende, and SummerFest La Jolla.
Allison Bailey, Viola
Allison Bailey began violin studies at the age of four, developed a love for orchestral playing, and became the youngest member of the Prince William Symphony Orchestra at age ten. Ms. Bailey attended Peabody Conservatory of Music, the University of Oregon, and the Manhattan School of Music. She holds a Bachelor’s degree, Graduate Performance Diploma, a Master’s degree in violin performance, and a Master’s degree in orchestral performance.
Prior to returning to Virginia in 1999, Ms. Bailey lived and worked in New York City, where she experienced a variety of performing engagements including frequent orchestral performances at Carnegie Hall, recording sessions at Sony studios for Quincy Jones Productions, performing on the soundtrack to the A&E Biography of Irving Berlin, and coaching actress Juliana Margulies in a violinist role for the NBC hit drama Homicide.
Ms. Bailey has served as guest conductor for All-County, District, and Regional Orchestras in Fairfax and surrounding counties in addition to serving as adjudicator for the New York Orchestra Festival at Carnegie Hall and state assessments throughout Virginia. She has also served as audition coach for Senior Regional Prep Day in Fairfax and Spotsylvania Counties, and faculty member of the Virginia Governor’s School for the Arts in Richmond.
In addition to her post as Concertmaster of the Manassas Ballet Theatre Orchestra, Ms. Bailey also serves as Associate Concertmaster of the Alexandria Symphony Orchestra, Associate Concertmaster of the Fairfax Symphony Orchestra, and is an active freelance musician in the Washington area. In recent years Ms. Bailey has been a featured soloist with the Alexandria Symphony Orchestra, and chamber musician at the Sitka Music Festival in Alaska and the Highlands-Cashiers Chamber Music Festival in North Carolina.
John-Henry Crawford, cello
Born in the small Louisiana city of Shreveport, cellist John-Henry Crawford has been lauded for his “polished charisma” and “singing sound” (Philadelphia Inquirer) and in 2019 was First Prize Winner of the IX International Carlos Prieto Cello Competition and named Young Artist of the Year by the Classical Recording Foundation.
At age 15, Crawford was accepted into the legendary Curtis Institute of Music to study with Peter Wiley and Carter Brey where he served as principal cellist of the Curtis Orchestra. He went on to complete an Artist Diploma at the Manhattan School of Music with Philippe Muller, a Master of Music at The Juilliard School with Joel Krosnick, and pursue further study in Chicago with Hans Jørgen Jensen. He has given concerts in 25 states as well as Brazil, Canada, Costa Rica, France, Germany, Mexico, the Canary Islands (Spain), and Switzerland at venues such as The International Concert Series of the Louvre in Paris, Volkswagen’s Die Gläsern Manufaktur in Dresden, and the inaugural season of the Tippet Rise Arts Center in Montana. Crawford gave his solo debut with the Philadelphia Orchestra as First Prize Winner of the orchestra’s Greenfield Competition and has performed Beethoven Triple Concerto with the Memphis Symphony, Dvorak and Gulda Cello Concertos with the Shreveport Symphony, and Haydn’s C Major Cello Concerto with the Highland Park Strings.
While in Chicago, Crawford appeared on WFMT’s Impromptu series and toured extensively with Steinway artist and pianist Victor Santiago Asuncion. He has appeared twice with Christopher O’Riley on National Public Radio’s From the Top. An advocate for the importance of social media, Crawford commands a strong Instagram presence, attracting tens of thousands of viewers to his project #The1000DayJourney, where he films artistic cinematic videos daily from his practice and performances for over 55,000 followers (@cellocrawford) to give a glimpse into the working process of a musician, recently passing the 1000-day mark.
Crawford’s numerous competition prizes also include Grand Prize and First Prize Cellist at the 2015 American String Teachers National Solo Competition, the Lynn Harrell Competition of the Dallas Symphony, the Hudson Valley Competition, and the Kingsville International Competition. He has competed in the Tchaikovsky and Queen Elisabeth competitions and was accepted at the prestigious Verbier Academy in Switzerland for study under the tutelage of Ralph Kirshbaum and Torleif Thedeen.
Crawford has been a fellow at Music from Angel Fire in New Mexico, the National Arts Centre’s Zukerman Young Artist Program in Canada, The Fontainebleau School in France, and the Perlman Chamber Music Program. He was invited to perform at Boston’s French Cultural Museum in a chamber music concert with Boston Symphony concertmaster Malcolm Lowe, Curtis President Roberto Diaz, and members of the Borromeo Quartet, and was the only student performer on a tour series to Costa Rica, Mexico, and Brazil, collaborating with artists Soovin Kim, Roberto Diaz, and Jason Vieaux as part of Curtis on Tour. While a student at Curtis, Crawford’s recital performances were broadcast on WHYY public television in Philadelphia. He was interviewed for the recently released documentary Maestro about conductor Paavo Järvi, and is also interviewed and quoted in Dan Coyle’s The Talent Code by Dan Coyle, a best-selling book about the science and neurology behind skill development.
Crawford is from a musical family and performs on a rare 200-year old European cello smuggled out of Austria by his grandfather, Dr. Robert Popper, who evaded Kristallnacht in 1938. He also performs on a fine French bow by the revolutionary bowmaker Tourte “L’Ainé” from 1790. Before attending Curtis, Crawford studied with concert cellist Andres Diaz of Southern Methodist University. In addition to music, he enjoys reading about astrophysics, running, performing magic tricks, and photography.
Victor Asuncion, piano
Hailed by The Washington Post for his “poised and imaginative playing,” Filipino-American pianist Victor Santiago Asuncion has appeared in concert halls in Brazil, Canada, Ecuador, France, Italy, Germany, Japan, Mexico, the Philippines, Spain, Turkey and the USA, as a recitalist and concerto soloist. He played his orchestral debut at the age of 18 with the Manila Chamber Orchestra, and his New York recital debut in Carnegie’s Weill Recital Hall in 1999. In addition, he has worked with conductors including Sergio Esmilla, Enrique Batiz, Mei Ann Chen, Zeev Dorman, Arthur Weisberg, Corrick Brown, David Loebel, Leon Fleisher, Michael Stern, Jordan Tang, and Bobby McFerrin.
A chamber music enthusiast, he has performed with artists such as Lynn Harrell, Zuill Bailey, Andres Diaz, James Dunham, Antonio Meneses, Joshua Roman, Cho-Liang Lin, Giora Schmidt, the Dover, Emerson, Serafin, Sao Paulo, and Vega String Quartets. He was on the chamber music faculty of the Aspen Music Festival, and the Garth Newel Summer Music Festival. He was also the pianist for the Garth Newel Piano Quartet for three seasons. Festival appearances include the Amelia Island, Highland-Cashiers, Music in the Vineyards, and Santa Fe.
His recordings include the complete Sonatas of L. van Beethoven with cellist Tobias Werner, Sonatas by Shostakovich and Rachmaninoff with cellist Joseph Johnson, the Rachmaninoff Sonata with the cellist Evan Drachman, and the Chopin and Grieg Sonatas, also with cellist Evan Drachman. He is featured in the award winning recording “Songs My Father Taught Me” with Lynn Harrell, produced by Louise Frank and WFMT-Chicago. Mr. Asuncion is the Founder, and Artistic and Board Director of FilAm Music Foundation, a non-profit foundation that is dedicated to promoting Filipino classical musicians through scholarship, and performance.
He received his Doctor of Musical Arts Degree in 2007 from the University of Maryland at College Park under the tutelage of Rita Sloan. Victor Santiago Asuncion is a Steinway artist.
About the Sitka Music Festival
The Sitka Music Festival (SMF) inspires audiences, sparks creativity, and strengthens community across Alaska through live chamber music performances, music education, and training by artists of the highest caliber.
For over 50 years, SMF has presented classical music at the highest artistic standards. Throughout its history, SMF musicians have shared their music with Alaskans who would otherwise not have access to live chamber music of the highest caliber and, in turn, Alaskans have shared their music, traditions, and ways of life with the visiting musicians. These shared experiences have taken SMF musicians to more than 40 Alaskan communities, many of which are small, remote villages off the road system. As a 501(c)(3) nonprofit, SMF remains dedicated to bringing exceptional music experiences to communities statewide.