Autumn Classics in Sitka: Ravel and Tchaikovsky
Join Grammy-winning Artistic Director Zuill Bailey, along with violinist Kurt Nikkanen and pianist Maria Asteriadou, for an evening of Ravel and Tchaikovsky. Doors open at 6:00 p.m. for light refreshments and beverages, followed by music at 6:30 p.m. Experience a sense of community and enjoy exquisite music in the intimate setting of the Miner Music Center at Stevenson Hall.
Autumn Classics in Wasilla: Ravel and Tchaikovsky
Join Grammy-winning Artistic Director Zuill Bailey, along with violinist Kurt Nikkanen and pianist Maria Asteriadou, for an evening of Ravel and Tchaikovsky. This is the Sitka Music Festival's return to Sacred Heart Catholic Church for our second time performing in Wasilla! DIscounts for music students 18 and younger available.
Autumn Classics: Anchorage Subscription Concert 1 - Ravel, Debussy, and Fauré
Join Grammy-winning Artistic Director Zuill Bailey, along with violinist Kurt Nikkanen and pianist Maria Asteriadou, for an evening of Ravel, Debussy, an Fauré. This concert marks the season opening of the Alaska Airlines’ Autumn Classics 2024 at the University of Alaska Anchorage Recital Hall.
Program:
Sonata for Violin and Cello, M.73 - Marice Ravel (1875 - 1937)
Kurt Nikkanen, violin | Zuill Bailey, cello
Sonata for Cello and Piano - Claude Debussy (1862 - 1918)
Zuill Bailey, cello | Maria Asteriadou, piano
Violin Sonata No.1 Op. 13 -- Gabriel Fauré (1845 - 1924)
Kurt Nikkanen, violin | Maria Asteriadou, piano
Zuill Bailey, widely considered one of the premiere cellists in the world, is a Grammy Award winning, internationally renowned soloist, recitalist, Artistic Director and teacher. His rare combination of celebrated artistry, technical wizardry and engaging personality has made him one of the most sought after and active cellists today.Mr. Bailey has been featured with symphony orchestras and music festivals worldwide. He won the Best Solo Performance Grammy Award in 2017, for his recording of Michael Daugherty’s “Tales of Hemingway,” with the Nashville Symphony led by Giancarlo Guerrero. His extensive discography includes his newest release – the world premier recording of Ellen Taaffe Zwilich’s Cello Concerto with the Santa Rosa Symphony. In 2021 he released his second recording of the Bach Cello Suites for PS Audio’s Octave Records label, recorded and mixed in stereo and multichannel sound.He appeared in a recurring role on the HBO series “Oz,” and has been heard on NPR’s “Morning Edition,” “Tiny Desk Concert,” “Performance Today,” “Saint Paul Sunday,” BBC’s “In Tune,” XM Radio’s “Live from Studio II,” Sirius Satellite Radio’s “Virtuoso Voices,” and his latest disc of Bach Suites was the disc of the week on Sirius’ Symphony Hall.Mr. Bailey received his Bachelor’s Degree from the Peabody Conservatory where he was named the 2014 Johns Hopkins University Distinguished Alumni, and received a Master’s Degree from the Juilliard School. He performs on the “rosette” 1693 Matteo Gofriller Cello formerly owned by Mischa Schneider of the Budapest String Quartet.He is the Artistic Director of El Paso Pro-Musica (Texas), the Sitka Summer Music Festival/Series and Cello Seminar, (Alaska), Juneau Jazz and Classics, (Alaska), the Northwest Bach Festival (Washington), Classical Inside Out Series- Mesa Arts Center (Arizona) and is Director of the Center for Arts Entrepreneurship and Professor of Cello at the University of Texas at El Paso.
American violinist Kurt Nikkanen is an international soloist of the highest order. Born in Hartford, Connecticut, he began his violin studies at the age of three, later studying with Roman Totenberg and Jens Ellerman. At twelve he gave his Carnegie Hall debut, performing with the New York Symphony; two years later he was invited by Zubin Mehta to perform the Paganini Concerto No.1 with the New York Philharmonic for a Young People’s Concert. He is a graduate of the Juilliard School, where he was a scholarship student of Dorothy DeLay.
Mr. Nikkanen regularly receives invitations from the leading orchestras and presenters in the USA and Europe, and has toured Japan and the Far East. In North America he has appeared with the Dallas Symphony, Minnesota Orchestra, San Francisco Symphony, Los Angeles Philharmonic and Cleveland Orchestra, and in Europe with the BBC Symphony, Royal Philharmonic, BBC Philharmonic, Deutsches Symphonie-Orchester Berlin, Rotterdam Philharmonic and the Dresden Staatskapelle. He has worked with many leading conductors.An enthusiastic advocate of contemporary music, Kurt Nikkanen has given numerous performances of the John Adams Violin Concerto, with orchestras such as the Royal Stockholm Philharmonic, London Sinfonietta, Deutsches Symphonie-Orchester Berlin, Oregon Symphony, Hallé Orchestra and Cincinnati Symphony (all under the composer’s direction).
Highlights of recent seasons have included a UK tour with the Royal Liverpool Philharmonic, performances with the Gothenburg Symphony and Neeme Jarvi at the BBC Proms, and concerts with the Rotterdam Philharmonic, Prague Symphony and RTE Orchestra in Dublin; also with the Bayerischer Rundfunk and Suddeutscher Rundfunk orchestras, both with the late Yakov Kreizberg, and the Royal Scottish National Orchestra with Junichi Hirokami. He has also appeared with the Belgian National Orchestra, Trondheim Symphony and the orchestra of RAI Turin, the Detroit Symphony and Orchestra of Galicia, the Bilbao Symphony, the Malaysian Philharmonic and performances of the Dvorak concerto with the Czech Philharmonic and Vladimir Ashkenazy, both in Prague and on tour in the USA, with concerts in New York and Chicago. In 2011, he was featured as soloist in a performance of the Barber Violin Concerto and Ravel Tzigane with the Turku Philharmonic in a live webcast that was streamed worldwide.
Mr. Nikkanen has had many works written for him, including Steven R. Gerber’s violin concerto, which he has recorded for Koch International. In 2009, Mr. Nikkanen performed the world premiere of Mikko Heinio’s concerto Alla Madre, subsequently recording it for Sony Classical with the Turku Philharmonic under Petri Sakari and released in 2010. His recording of William Walton’s Violin Concerto with the New Haven Symphony Orchestra was released on the Nimbus Alliance label in 2010 and was chosen as “Critics Choice for 2010” in Gramophone Magazine.
Mr. Nikkanen gave the New York premiere of the Violin Concerto by Thomas Adès in May 2010 and has since performed it in Australia with the Perth Symphony Orchestra conducted by Paul Daniel.In addition to his orchestral appearances, Kurt Nikkanen performs regularly as a recitalist both in the US and abroad with his wife, pianist Maria Asteriadou, presenting repertoire ranging from the complete Beethoven sonatas to Piazzolla tangos.He is the Concertmaster of the New York City Ballet Orchestra and maintains a private teaching studio in New York, where he resides with his family.
A native of Greece, Maria Asteriadou is an acclaimed soloist and chamber musician highly praised as an artist with intense personality, virtuosic flair and beautiful tone.
Maria Asteriadou has performed in major halls throughout the United States and Canada as well as Austria, Greece, Italy, Luxembourg, Romania, Spain, Switzerland and Germany. Her orchestra engagements include appearances with the Moscow Radio Symphony, Academy of St. Martin of the Fields, Orpheus Chamber Orchestra, Stuttgart Kamerata, Luxembourg Philharmonia, Bucharest Chamber Orchestra, Virtuosi Moldavi Romania, Iasi Philharmonic Romania, Manhattan School Symphony Orchestra, Adrian Symphony Orchestra, Canadian Chamber Academy, Athens State Orchestra, Kamerata (Athens Chamber Orchestra) as well as the Thessaloniki State and City Orchestras.
Her love for her native Greece and her enthusiasm for new music has resulted in prestigious premiere performances of works by many of Greece’s most important composers such as Manos Hadzidakis, Perikles Koukos, Dimitri Mitropoulos, Emilios Riadis, Christos Samaras, Yiorgos Sicilianos, Nikos Skalkottas, as well as American born Greek composer George Tsontakis.
As an active chamber musician, Maria Asteriadou has collaborated with members of the New York Philharmonic and performs regularly in festivals and summer music institutes. Together with violinist Kurt Nikkanen founded the Elektra Chamber Players, an ensemble comprised of performers from the great orchestras and conservatories of New York City.
The recipient of numerous awards and prizes, Maria Asteriadou won first prize in performance from the State Conservatory in Greece as well as top prize in the Maria Callas International Piano Competition. Maria Asteriadou enjoys the distinction of being the only pianist selected from the Musik Hochschule in Freiburg to perform in honor of the composer-conductor Pierre Boulez in Baden Baden, Germany. Both her Geneva debut recital, as well as her debut at Weill Hall in New York’s Carnegie Hall, for which she won the sponsoring competitions, were greeted with rave reviews. In 1992 she won the Dora Zaslovsky piano competition at Manhattan School of Music in New York and consequently was selected to collaborate with the renowned conductor, Christopher Keene, in a critically acclaimed performance of Beethoven’s Third Piano Concerto.
Maria Asteriadou has recorded the complete piano and string chamber works by Nikos Skalkottas and the complete violin and piano works by Carl Nielsen for BIS (recording label). She has also recorded works by Greek composers Yiorgos Sicilianos and Emilios Riadis. A CD with solo and chamber music works by Dimitri Mitropoulos, will be released in 2006. Maria Asteriadou has been heard frequently in live performances on radio and television in Europe and in the United States, including the WQXR-FM with Robert Sherman.
Maria Asteriadou holds a Doctor of Musical Arts degree from Manhattan School of Music, where she studied with Constance Keene. She received her Master of Music degree from The Juilliard School, as a scholarship student of Jacob Lateiner. Following her undergraduate studies at the State Conservatory of Music in Thessaloniki, Greece, Maria Asteriadou was accepted at the Musik Hochschule in Freiburg, Germany as a student of Tibor Hazay and received her Graduate Soloist Diploma with high honors. She has also worked with Gyorgy Sebok, Richard Goode, Domna Evnouchidou and Vitalji Margulis.
An energetic and passionate teacher, Maria Asteriadou has been faculty at the Algonquin International Music Institute in Canada and the Summer Arts Institute in University of Michigan. From 1992 to 2002, she was the Artistic and Chamber Music Director of the Silver Bay Summer Music Festival in New York. In the summer of 2002 and 2004 she served as a chamber music coach at the New York Piano Competition. She is also on the Advisory Board of the Children’s Foundation.
The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education. Autumn Classics is presented in part by Alaska Airlines, The Atwood Foundation, University of Alaska Anchorage, GCI, Alaska State Council on the Arts, and the Sitka Music Festival Foundation.
Autumn Classics: Anchorage Subscription Concert 2 - Beethoven and Tchaikovsky
Join Grammy-winning Artistic Director Zuill Bailey, along with violinist Kurt Nikkanen and pianist Maria Asteriadou, for an evening of Beethoven and Tchaikovsky. This is teh second subscription concert of Alaska Airlines’ Autumn Classics 2024 at the University of Alaska Anchorage Recital Hall.
Program:
Violin Sonata No. 9, Op. 47 “Kreutzer” – Ludwig van Beethoven (1770 - 1827)
Kurt Nikkanen, violin | Maria Asteriadou, piano
Piano Trio in A minor, Op. 50 - Pyotr Tchaikovsky (1840 - 1893)
Kurt Nikkanen, violin | Zuill Bailey, cello | Maria Asteriadou, piano
Zuill Bailey, widely considered one of the premiere cellists in the world, is a Grammy Award winning, internationally renowned soloist, recitalist, Artistic Director and teacher. His rare combination of celebrated artistry, technical wizardry and engaging personality has made him one of the most sought after and active cellists today.Mr. Bailey has been featured with symphony orchestras and music festivals worldwide. He won the Best Solo Performance Grammy Award in 2017, for his recording of Michael Daugherty’s “Tales of Hemingway,” with the Nashville Symphony led by Giancarlo Guerrero. His extensive discography includes his newest release – the world premier recording of Ellen Taaffe Zwilich’s Cello Concerto with the Santa Rosa Symphony. In 2021 he released his second recording of the Bach Cello Suites for PS Audio’s Octave Records label, recorded and mixed in stereo and multichannel sound.He appeared in a recurring role on the HBO series “Oz,” and has been heard on NPR’s “Morning Edition,” “Tiny Desk Concert,” “Performance Today,” “Saint Paul Sunday,” BBC’s “In Tune,” XM Radio’s “Live from Studio II,” Sirius Satellite Radio’s “Virtuoso Voices,” and his latest disc of Bach Suites was the disc of the week on Sirius’ Symphony Hall.Mr. Bailey received his Bachelor’s Degree from the Peabody Conservatory where he was named the 2014 Johns Hopkins University Distinguished Alumni, and received a Master’s Degree from the Juilliard School. He performs on the “rosette” 1693 Matteo Gofriller Cello formerly owned by Mischa Schneider of the Budapest String Quartet.He is the Artistic Director of El Paso Pro-Musica (Texas), the Sitka Summer Music Festival/Series and Cello Seminar, (Alaska), Juneau Jazz and Classics, (Alaska), the Northwest Bach Festival (Washington), Classical Inside Out Series- Mesa Arts Center (Arizona) and is Director of the Center for Arts Entrepreneurship and Professor of Cello at the University of Texas at El Paso.
American violinist Kurt Nikkanen is an international soloist of the highest order. Born in Hartford, Connecticut, he began his violin studies at the age of three, later studying with Roman Totenberg and Jens Ellerman. At twelve he gave his Carnegie Hall debut, performing with the New York Symphony; two years later he was invited by Zubin Mehta to perform the Paganini Concerto No.1 with the New York Philharmonic for a Young People’s Concert. He is a graduate of the Juilliard School, where he was a scholarship student of Dorothy DeLay.
Mr. Nikkanen regularly receives invitations from the leading orchestras and presenters in the USA and Europe, and has toured Japan and the Far East. In North America he has appeared with the Dallas Symphony, Minnesota Orchestra, San Francisco Symphony, Los Angeles Philharmonic and Cleveland Orchestra, and in Europe with the BBC Symphony, Royal Philharmonic, BBC Philharmonic, Deutsches Symphonie-Orchester Berlin, Rotterdam Philharmonic and the Dresden Staatskapelle. He has worked with many leading conductors.An enthusiastic advocate of contemporary music, Kurt Nikkanen has given numerous performances of the John Adams Violin Concerto, with orchestras such as the Royal Stockholm Philharmonic, London Sinfonietta, Deutsches Symphonie-Orchester Berlin, Oregon Symphony, Hallé Orchestra and Cincinnati Symphony (all under the composer’s direction).
Highlights of recent seasons have included a UK tour with the Royal Liverpool Philharmonic, performances with the Gothenburg Symphony and Neeme Jarvi at the BBC Proms, and concerts with the Rotterdam Philharmonic, Prague Symphony and RTE Orchestra in Dublin; also with the Bayerischer Rundfunk and Suddeutscher Rundfunk orchestras, both with the late Yakov Kreizberg, and the Royal Scottish National Orchestra with Junichi Hirokami. He has also appeared with the Belgian National Orchestra, Trondheim Symphony and the orchestra of RAI Turin, the Detroit Symphony and Orchestra of Galicia, the Bilbao Symphony, the Malaysian Philharmonic and performances of the Dvorak concerto with the Czech Philharmonic and Vladimir Ashkenazy, both in Prague and on tour in the USA, with concerts in New York and Chicago. In 2011, he was featured as soloist in a performance of the Barber Violin Concerto and Ravel Tzigane with the Turku Philharmonic in a live webcast that was streamed worldwide.
Mr. Nikkanen has had many works written for him, including Steven R. Gerber’s violin concerto, which he has recorded for Koch International. In 2009, Mr. Nikkanen performed the world premiere of Mikko Heinio’s concerto Alla Madre, subsequently recording it for Sony Classical with the Turku Philharmonic under Petri Sakari and released in 2010. His recording of William Walton’s Violin Concerto with the New Haven Symphony Orchestra was released on the Nimbus Alliance label in 2010 and was chosen as “Critics Choice for 2010” in Gramophone Magazine.
Mr. Nikkanen gave the New York premiere of the Violin Concerto by Thomas Adès in May 2010 and has since performed it in Australia with the Perth Symphony Orchestra conducted by Paul Daniel.In addition to his orchestral appearances, Kurt Nikkanen performs regularly as a recitalist both in the US and abroad with his wife, pianist Maria Asteriadou, presenting repertoire ranging from the complete Beethoven sonatas to Piazzolla tangos.He is the Concertmaster of the New York City Ballet Orchestra and maintains a private teaching studio in New York, where he resides with his family.
A native of Greece, Maria Asteriadou is an acclaimed soloist and chamber musician highly praised as an artist with intense personality, virtuosic flair and beautiful tone.
Maria Asteriadou has performed in major halls throughout the United States and Canada as well as Austria, Greece, Italy, Luxembourg, Romania, Spain, Switzerland and Germany. Her orchestra engagements include appearances with the Moscow Radio Symphony, Academy of St. Martin of the Fields, Orpheus Chamber Orchestra, Stuttgart Kamerata, Luxembourg Philharmonia, Bucharest Chamber Orchestra, Virtuosi Moldavi Romania, Iasi Philharmonic Romania, Manhattan School Symphony Orchestra, Adrian Symphony Orchestra, Canadian Chamber Academy, Athens State Orchestra, Kamerata (Athens Chamber Orchestra) as well as the Thessaloniki State and City Orchestras.
Her love for her native Greece and her enthusiasm for new music has resulted in prestigious premiere performances of works by many of Greece’s most important composers such as Manos Hadzidakis, Perikles Koukos, Dimitri Mitropoulos, Emilios Riadis, Christos Samaras, Yiorgos Sicilianos, Nikos Skalkottas, as well as American born Greek composer George Tsontakis.
As an active chamber musician, Maria Asteriadou has collaborated with members of the New York Philharmonic and performs regularly in festivals and summer music institutes. Together with violinist Kurt Nikkanen founded the Elektra Chamber Players, an ensemble comprised of performers from the great orchestras and conservatories of New York City.
The recipient of numerous awards and prizes, Maria Asteriadou won first prize in performance from the State Conservatory in Greece as well as top prize in the Maria Callas International Piano Competition. Maria Asteriadou enjoys the distinction of being the only pianist selected from the Musik Hochschule in Freiburg to perform in honor of the composer-conductor Pierre Boulez in Baden Baden, Germany. Both her Geneva debut recital, as well as her debut at Weill Hall in New York’s Carnegie Hall, for which she won the sponsoring competitions, were greeted with rave reviews. In 1992 she won the Dora Zaslovsky piano competition at Manhattan School of Music in New York and consequently was selected to collaborate with the renowned conductor, Christopher Keene, in a critically acclaimed performance of Beethoven’s Third Piano Concerto.
Maria Asteriadou has recorded the complete piano and string chamber works by Nikos Skalkottas and the complete violin and piano works by Carl Nielsen for BIS (recording label). She has also recorded works by Greek composers Yiorgos Sicilianos and Emilios Riadis. A CD with solo and chamber music works by Dimitri Mitropoulos, will be released in 2006. Maria Asteriadou has been heard frequently in live performances on radio and television in Europe and in the United States, including the WQXR-FM with Robert Sherman.
Maria Asteriadou holds a Doctor of Musical Arts degree from Manhattan School of Music, where she studied with Constance Keene. She received her Master of Music degree from The Juilliard School, as a scholarship student of Jacob Lateiner. Following her undergraduate studies at the State Conservatory of Music in Thessaloniki, Greece, Maria Asteriadou was accepted at the Musik Hochschule in Freiburg, Germany as a student of Tibor Hazay and received her Graduate Soloist Diploma with high honors. She has also worked with Gyorgy Sebok, Richard Goode, Domna Evnouchidou and Vitalji Margulis.
An energetic and passionate teacher, Maria Asteriadou has been faculty at the Algonquin International Music Institute in Canada and the Summer Arts Institute in University of Michigan. From 1992 to 2002, she was the Artistic and Chamber Music Director of the Silver Bay Summer Music Festival in New York. In the summer of 2002 and 2004 she served as a chamber music coach at the New York Piano Competition. She is also on the Advisory Board of the Children’s Foundation.
The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education. Autumn Classics is presented in part by Alaska Airlines, The Atwood Foundation, University of Alaska Anchorage, GCI, Alaska State Council on the Arts, and the Sitka Music Festival Foundation.
Autumn Classics: Anchorage Subscription Concert 3 - Natasha Paremski In Recital
Natasha Paremski In Recital
Program:
Berceuse in D-flat Major, Op. 57 – Frédéric Chopin (1810 – 1849)
Piano Sonata No. 2 in B-flat minor, Op. 34 - Frédéric Chopin (1810 – 1849)
Selections from 10 Pieces from Romeo and Juliet, Op. 75 - Sergei Prokofiev (1891 - 1953)
Trois Mouvements de Petrouchka - Igor Stravinsky (1882 – 1971)
“Fiery & Widely Dynamic”
– London Classical Source
With her consistently striking and dynamic performances, pianist Natasha Paremski reveals astounding virtuosity and profound interpretations. She continues to generate excitement from all corners as she wins over audiences with her musical sensibility and a powerful, flawless technique.
Natasha is a regular return guest of many major orchestras, including Minnesota Orchestra, San Francisco Symphony, Grant Park Festival, Winnipeg Symphony, Kitchener-Waterloo Symphony, Oregon Symphony, Elgin Symphony, Colorado Symphony, Buffalo Philharmonic, Virginia Symphony, and Royal Philharmonic Orchestra with whom she has performed and toured frequently since 2008 in venues such as Royal Albert Hall, Royal Festival Hall, and Cadogan Hall. She has performed with major orchestras in North America including Dallas Symphony Orchestra, Los Angeles Philharmonic Orchestra, San Diego Symphony, Toronto Symphony, Baltimore Symphony, Houston Symphony, NAC Orchestra in Ottawa, Nashville Symphony. She has toured extensively in Europe with such orchestras as Bournemouth Symphony Orchestra, Vienna’s Tonkünstler Orchester, Royal Scottish National Orchestra, Orchestre de Bretagne, the Orchestre de Nancy, Royal Liverpool Philharmonic Orchestra, Tonhalle Orchester in Zurich, Moscow Philharmonic, under the direction of conductors including Thomas Dausgaard, Peter Oundjian, Andres Orozco-Estrada, Jeffrey Kahane, James Gaffigan, JoAnn Falletta, Fabien Gabel, Rossen Milanov and Andrew Litton. In addition, she has toured with Gidon Kremer and the Kremerata Baltica in Latvia, Benelux, the United Kingdom and Austria as well as appearances with National Taiwan Symphony Orchestra in Taipei.
Natasha has given recitals at the Auditorium du Louvre in Paris, Wigmore Hall, Schloss Elmau, Mecklenburg-Vorpommern Festival, Verbier Festival, San Francisco Performances, Seattle’s Meany Hall, Kansas City’s Harriman Jewell Series, Santa Fe’s Lensic Theater, Ludwigshafen BASF Series, Teatro Colon in Buenos Aires, Tokyo’s Musashino Performing Arts Center and on the Rising Stars Series of Gilmore and Ravinia Festivals.
A passionate chamber musician, Natasha is a regular recital partner of Grammy winning cellist Zuill Bailey, with whom she has recorded a number of CDs. Their Britten album on Telarc debuted at No. 1 on the Billboard Classical Chart, remaining there for a number of weeks, in addition to being featured on The New York Times Playlist. She has been a guest of many chamber music festivals such as Jeffrey Kahane’s Green Music Center ChamberFest, the Lockenhaus, Toronto, Sitka Summer Music, and Cape Cod Chamber Music festivals to name a few.
Natasha was awarded several prestigious prizes at a very young age, including the Gilmore Young Artists prize in 2006 at the age of eighteen, the Prix Montblanc in 2007, the Orpheum Stiftung Prize in Switzerland. In September 2010, she was awarded the Classical Recording Foundation’s Young Artist of the Year. Her first recital album was released in 2011 to great acclaim, topping the Billboard Classical Charts, and was re-released on the Steinway & Sons label in September 2016 featuring Islamey recorded on Steinway’s revolutionary new Spirio technology. In 2012 she recorded Tchaikovsky’s Piano Concerto No. 1 and Rachmaninoff’s Paganini Rhapsody with Royal Philharmonic Orchestra and Fabien Gabel on the orchestra’s label distributed by Naxos.
With a strong focus on new music, Natasha’s growing repertoire reflects an artistic maturity beyond her years. In the 2010-11 season, she played the world premiere of a sonata written for her by Gabriel Kahane, which was also included in her solo album.
Natasha continues to extend her performance activity and range beyond the traditional concert hall. In December 2008, she was the featured pianist in choreographer Benjamin Millepied’s Danses Concertantes at New York’s Joyce Theater. She was featured in a major two-part film for BBC Television on the life and work of Tchaikovsky, shot on location in St. Petersburg, performing excerpts from Tchaikovsky’s First Piano Concerto and other works. In the winter of 2007, Natasha participated along with Simon Keenlyside in the filming of Twin Spirits, a project starring Sting and Trudie Styler that explores the music and writing of Robert and Clara Schumann, which was released on DVD. She has performed in the project live several times with the co-creators in New York and the U.K., directed by John Caird, the original director/adaptor of the musical Les Misérables.
Natasha began her piano studies at the age of four with Nina Malikova at Moscow’s Andreyev School of Music. She then studied at San Francisco Conservatory of Music before moving to New York to study with Pavlina Dokovska at Mannes College of Music, from which she graduated in 2007. Natasha made her professional debut at age nine with El Camino Youth Symphony in California. At the age of fifteen she debuted with Los Angeles Philharmonic and recorded two discs with Moscow Philharmonic Orchestra.
Born in Moscow, Natasha moved to the United States at the age of eight, becoming a U.S. citizen shortly thereafter, and is now based in New York City where she is Artistic Director of the New York Piano Society, a non-profit organization that supports pianists whose professions lie outside of music.
Autumn Classics in Ketchikan: Zuill Bailey Plays Bach Cello Suites
Don't miss this extraordinary event on September 17 at 7 PM at Holy Name Catholic Church! Internationally renowned and Grammy Award-winning cellist Zuill Bailey will grace the stage, bringing to life the timeless Bach Cello Suites on his Matteo Goffriller cello, crafted during Bach's lifetime.
Critics have hailed Bailey’s performances as “stunningly imaginative and rich in tone” (The New York Times), with The Washington Post praising his “sheer virtuosity and expressive depth.” His interpretation of these masterpieces is not just a performance but an experience—an exploration of Bach’s genius through the voice of an instrument with its own history.
Autumn Classics: Anchorage Subscription Concert 4 - Zuill Bailey & Awadagin Pratt
Experience the electrifying duo of Grammy-winning cellist, Zuill Bailey and acclaimed pianist, Awadagin Pratt.
Zuill Bailey, cello & Awadagin Pratt, piano
Program:
Spiegel im Spiegel – Arvo Pärt (b. 1935)
Sonata for Cello and Piano No. 3 in A Major, Op. 69 – Ludwig van Beethoven (1770 – 1827)
Variations for Cello and Piano – Samuel Coleridge-Taylor (1875 – 1912)
Sonata for Cello and Piano in E minor, Op. 38 – Johannes Brahms (1833 – 1897)
Zuill Bailey, widely considered one of the premiere cellists in the world, is a Grammy Award winning, internationally renowned soloist, recitalist, Artistic Director and teacher. His rare combination of celebrated artistry, technical wizardry and engaging personality has made him one of the most sought after and active cellists today.Mr. Bailey has been featured with symphony orchestras and music festivals worldwide. He won the Best Solo Performance Grammy Award in 2017, for his recording of Michael Daugherty’s “Tales of Hemingway,” with the Nashville Symphony led by Giancarlo Guerrero. His extensive discography includes his newest release – the world premier recording of Ellen Taaffe Zwilich’s Cello Concerto with the Santa Rosa Symphony. In 2021 he released his second recording of the Bach Cello Suites for PS Audio’s Octave Records label, recorded and mixed in stereo and multichannel sound.He appeared in a recurring role on the HBO series “Oz,” and has been heard on NPR’s “Morning Edition,” “Tiny Desk Concert,” “Performance Today,” “Saint Paul Sunday,” BBC’s “In Tune,” XM Radio’s “Live from Studio II,” Sirius Satellite Radio’s “Virtuoso Voices,” and his latest disc of Bach Suites was the disc of the week on Sirius’ Symphony Hall.Mr. Bailey received his Bachelor’s Degree from the Peabody Conservatory where he was named the 2014 Johns Hopkins University Distinguished Alumni, and received a Master’s Degree from the Juilliard School. He performs on the “rosette” 1693 Matteo Gofriller Cello formerly owned by Mischa Schneider of the Budapest String Quartet.He is the Artistic Director of El Paso Pro-Musica (Texas), the Sitka Summer Music Festival/Series and Cello Seminar, (Alaska), Juneau Jazz and Classics, (Alaska), the Northwest Bach Festival (Washington), Classical Inside Out Series- Mesa Arts Center (Arizona) and is Director of the Center for Arts Entrepreneurship and Professor of Cello at the University of Texas at El Paso.
Through his kaleidoscopic career as a pianist, conductor, educator, and curator of memorable musical moments, Awadagin Pratt is actively inventing the artistic world he longs to live in — a world that shines light on rich voices of the past and present, amplifies the diverse talents of today’s brightest creative minds, and paves the way for a new generation of inventive musical artists. Since launching onto the international stage after winning the prestigious Naumburg International Piano Competition in 1992 and receiving a 1994 Avery Fisher Career Grant, Awadagin has received acclaim for delivering “forceful, imaginative, and precisely tinted” performances (Washington Post) and is hailed as “one of the great and distinctive American pianists and conductors of our time” (WGBH). He has appeared at addresses as familiar as 1600 Pennsylvania Avenue (at the invitation of the Clinton and Obama administrations) and Sesame Street (at the invitation of Big Bird). His breakneck concert schedule has taken him across six continents for performances with the Boston and Chicago Symphony Orchestras, the New York Philharmonic, and many others; solo recitals at the Kennedy Center, Carnegie Hall, and Lincoln Center; and chamber music collaborations with Zuill Bailey, Simone Dinnerstein, and the Harlem and St. Lawrence String Quartets. Highlights of Awadagin’s 2023/24 season include concerto appearances with the Nashville, Utah, Bournemouth, and Annapolis Symphonies; A Far Cry at Boston’s Jordan Hall; and the Cincinnati, Manitoba, New Century, and IRIS Chamber Orchestras. Recital engagements include performances at Kaufman Music Center’s Merkin Hall, a program of four-hand music with Simone Dinnerstein at the Washington Performing Arts Society, and an appearance at the Irving S. Gilmore International Piano Festival. August 2023 marks the release of his first album for New Amsterdam Records, STILLPOINT, which explores the truth and beauty found within T.S. Eliot’s Four Quartets through newly composed works by Tyshawn Sorey, Paola Prestini, Pēteris Vasks, Jessie Montgomery, Jonathan Bailey Holland, Alvin Singleton, and Judd Greenstein. Between performances at the piano, Awadagin maintains a bustling conducting career. This 23/24 season marks his first as Principal Conductor of the Miami Valley Symphony Orchestra and a return to the podium of the Chamber Orchestra of Pittsburgh. He recently made his conducting debut with the Georgia Symphony Orchestra (Tbilisi); his operatic debut leading Porgy and Bess with the Greensboro Opera (North Carolina); and conducted a concert featuring the music of jazz great Ornette Coleman with Bang on a Can at the Brooklyn Academy of Music. But Awadagin’s creativity cannot be confined to the stage alone. After witnessing the globally broadcast execution of George Floyd by officers of the Minneapolis Police Department, he published a podcast that quickly evolved into a multimedia musical experience. Performed primarily on college campuses across the U.S., Awadagin Pratt: Black in America fuses the music of Bach, Messaien, and Liszt with still and moving pictures by filmmaker Alrick Brown and an original narration in which he chronicles his life — from his time as a music student at the Peabody Conservatory through his ascent to international acclaim — through graphic accounts of numerous police stops and arrests he experienced for Driving While Black. In 2023, a documentary film version of Awadagin Pratt: Black in America directed by Michelle Bauer Carpenter aired in more than one million U.S. households and screened at film festivals across the country. Awadagin’s commitment to ushering in the next generation of agile, creative, and inventive pianists is evidenced by his work as founding director of the Next Generation Festival, the Art of the Piano Foundation, and the Nina Simone Piano Competition, a new biennial competition that celebrates diversity in classical music by showcasing the tremendous talents of young Black pianists. He has adjudicated the Rubinstein International Piano Master Competition, Cleveland International Piano Competition, Minnesota e-Competition, Unisa International Piano Competition, and the International Competition for Young Pianists created in memory of Vladimir Horowitz. Having recently left his position as Professor and Artist in Residence at the University of Cincinnati College-Conservatory of Music (CCM) after two decades, Awadagin is now Professor of Piano at the San Francisco Conservatory. He remains the only graduate of the Peabody Institute to earn performance certificates in three areas — violin, piano, and conducting — and has received the Distinguished Alumni Award from Johns Hopkins University and honorary doctorates from Illinois Wesleyan University, Susquehanna University, and the Boston Conservatory.
Autumn Classics: Anchorage Subscription Concert 5 - Awadagin Pratt In Recital
Awadagin Pratt In Recital
Program:
Glassworks, 1.“Opening” - Philip Glass (b. 1937)
Second livre de pieces de clavecin, Ordre sixieme - François Couperin (1668 - 1733)
Castillo Interior (arr. for Awadagin Pratt) - Pēteris Vasks (b. 1946)
Three Character Studies: I. Nocturne for Left Hand Alone - Fred Hersch (b. 1955)
Prelude in D Major, Op. 23, No. 4 - Sergei Rachmaninoff (1873 - 1943)
Nocturne in B Major, Opus 62, No. 1 - Frédéric Chopin (1810 – 1849)
“Intermezzo” from The Nutcracker - Pyotr Ilyich Tchaikovsky (1840 - 1893), arr. M. Pletnev
Piano Sonata in B minor, S. 178 - Franz Liszt (1811 – 1866)
Through his kaleidoscopic career as a pianist, conductor, educator, and curator of memorable musical moments, Awadagin Pratt is actively inventing the artistic world he longs to live in — a world that shines light on rich voices of the past and present, amplifies the diverse talents of today’s brightest creative minds, and paves the way for a new generation of inventive musical artists. Since launching onto the international stage after winning the prestigious Naumburg International Piano Competition in 1992 and receiving a 1994 Avery Fisher Career Grant, Awadagin has received acclaim for delivering “forceful, imaginative, and precisely tinted” performances (Washington Post) and is hailed as “one of the great and distinctive American pianists and conductors of our time” (WGBH). He has appeared at addresses as familiar as 1600 Pennsylvania Avenue (at the invitation of the Clinton and Obama administrations) and Sesame Street (at the invitation of Big Bird). His breakneck concert schedule has taken him across six continents for performances with the Boston and Chicago Symphony Orchestras, the New York Philharmonic, and many others; solo recitals at the Kennedy Center, Carnegie Hall, and Lincoln Center; and chamber music collaborations with Zuill Bailey, Simone Dinnerstein, and the Harlem and St. Lawrence String Quartets. Highlights of Awadagin’s 2023/24 season include concerto appearances with the Nashville, Utah, Bournemouth, and Annapolis Symphonies; A Far Cry at Boston’s Jordan Hall; and the Cincinnati, Manitoba, New Century, and IRIS Chamber Orchestras. Recital engagements include performances at Kaufman Music Center’s Merkin Hall, a program of four-hand music with Simone Dinnerstein at the Washington Performing Arts Society, and an appearance at the Irving S. Gilmore International Piano Festival. August 2023 marks the release of his first album for New Amsterdam Records, STILLPOINT, which explores the truth and beauty found within T.S. Eliot’s Four Quartets through newly composed works by Tyshawn Sorey, Paola Prestini, Pēteris Vasks, Jessie Montgomery, Jonathan Bailey Holland, Alvin Singleton, and Judd Greenstein. Between performances at the piano, Awadagin maintains a bustling conducting career. This 23/24 season marks his first as Principal Conductor of the Miami Valley Symphony Orchestra and a return to the podium of the Chamber Orchestra of Pittsburgh. He recently made his conducting debut with the Georgia Symphony Orchestra (Tbilisi); his operatic debut leading Porgy and Bess with the Greensboro Opera (North Carolina); and conducted a concert featuring the music of jazz great Ornette Coleman with Bang on a Can at the Brooklyn Academy of Music. But Awadagin’s creativity cannot be confined to the stage alone. After witnessing the globally broadcast execution of George Floyd by officers of the Minneapolis Police Department, he published a podcast that quickly evolved into a multimedia musical experience. Performed primarily on college campuses across the U.S., Awadagin Pratt: Black in America fuses the music of Bach, Messaien, and Liszt with still and moving pictures by filmmaker Alrick Brown and an original narration in which he chronicles his life — from his time as a music student at the Peabody Conservatory through his ascent to international acclaim — through graphic accounts of numerous police stops and arrests he experienced for Driving While Black. In 2023, a documentary film version of Awadagin Pratt: Black in America directed by Michelle Bauer Carpenter aired in more than one million U.S. households and screened at film festivals across the country. Awadagin’s commitment to ushering in the next generation of agile, creative, and inventive pianists is evidenced by his work as founding director of the Next Generation Festival, the Art of the Piano Foundation, and the Nina Simone Piano Competition, a new biennial competition that celebrates diversity in classical music by showcasing the tremendous talents of young Black pianists. He has adjudicated the Rubinstein International Piano Master Competition, Cleveland International Piano Competition, Minnesota e-Competition, Unisa International Piano Competition, and the International Competition for Young Pianists created in memory of Vladimir Horowitz. Having recently left his position as Professor and Artist in Residence at the University of Cincinnati College-Conservatory of Music (CCM) after two decades, Awadagin is now Professor of Piano at the San Francisco Conservatory. He remains the only graduate of the Peabody Institute to earn performance certificates in three areas — violin, piano, and conducting — and has received the Distinguished Alumni Award from Johns Hopkins University and honorary doctorates from Illinois Wesleyan University, Susquehanna University, and the Boston Conservatory.
Autumn Classics: Anchorage Subscription Concert 6 - Zuill Bailey & Awadagin Pratt
Experience the electrifying duo of Grammy-winning cellist, Zuill Bailey and acclaimed pianist, Awadagin Pratt.
Zuill Bailey, cello & Awadagin Pratt, piano
Program:
Keyboard Concerto in A Major, BWV 1055 – J.S. Bach (1685 – 1750)
Variations Concertantes for Cello and Piano, Op. 17 – Felix Mendelssohn (1809 – 1847)
Quartet for the End of Time: Louange à l’Éternité de Jésus – Olivier Messiaen (1908 – 1992)
Sonata in A minor, D. 821, “Arpeggione” – Franz Schubert (1797 – 1828)
Andante Cantabile, Op. 11 – Pyotr Tchaikovsky (1840 - 1893)
Zuill Bailey, widely considered one of the premiere cellists in the world, is a Grammy Award winning, internationally renowned soloist, recitalist, Artistic Director and teacher. His rare combination of celebrated artistry, technical wizardry and engaging personality has made him one of the most sought after and active cellists today.Mr. Bailey has been featured with symphony orchestras and music festivals worldwide. He won the Best Solo Performance Grammy Award in 2017, for his recording of Michael Daugherty’s “Tales of Hemingway,” with the Nashville Symphony led by Giancarlo Guerrero. His extensive discography includes his newest release – the world premier recording of Ellen Taaffe Zwilich’s Cello Concerto with the Santa Rosa Symphony. In 2021 he released his second recording of the Bach Cello Suites for PS Audio’s Octave Records label, recorded and mixed in stereo and multichannel sound.He appeared in a recurring role on the HBO series “Oz,” and has been heard on NPR’s “Morning Edition,” “Tiny Desk Concert,” “Performance Today,” “Saint Paul Sunday,” BBC’s “In Tune,” XM Radio’s “Live from Studio II,” Sirius Satellite Radio’s “Virtuoso Voices,” and his latest disc of Bach Suites was the disc of the week on Sirius’ Symphony Hall.Mr. Bailey received his Bachelor’s Degree from the Peabody Conservatory where he was named the 2014 Johns Hopkins University Distinguished Alumni, and received a Master’s Degree from the Juilliard School. He performs on the “rosette” 1693 Matteo Gofriller Cello formerly owned by Mischa Schneider of the Budapest String Quartet.He is the Artistic Director of El Paso Pro-Musica (Texas), the Sitka Summer Music Festival/Series and Cello Seminar, (Alaska), Juneau Jazz and Classics, (Alaska), the Northwest Bach Festival (Washington), Classical Inside Out Series- Mesa Arts Center (Arizona) and is Director of the Center for Arts Entrepreneurship and Professor of Cello at the University of Texas at El Paso.
Through his kaleidoscopic career as a pianist, conductor, educator, and curator of memorable musical moments, Awadagin Pratt is actively inventing the artistic world he longs to live in — a world that shines light on rich voices of the past and present, amplifies the diverse talents of today’s brightest creative minds, and paves the way for a new generation of inventive musical artists. Since launching onto the international stage after winning the prestigious Naumburg International Piano Competition in 1992 and receiving a 1994 Avery Fisher Career Grant, Awadagin has received acclaim for delivering “forceful, imaginative, and precisely tinted” performances (Washington Post) and is hailed as “one of the great and distinctive American pianists and conductors of our time” (WGBH). He has appeared at addresses as familiar as 1600 Pennsylvania Avenue (at the invitation of the Clinton and Obama administrations) and Sesame Street (at the invitation of Big Bird). His breakneck concert schedule has taken him across six continents for performances with the Boston and Chicago Symphony Orchestras, the New York Philharmonic, and many others; solo recitals at the Kennedy Center, Carnegie Hall, and Lincoln Center; and chamber music collaborations with Zuill Bailey, Simone Dinnerstein, and the Harlem and St. Lawrence String Quartets. Highlights of Awadagin’s 2023/24 season include concerto appearances with the Nashville, Utah, Bournemouth, and Annapolis Symphonies; A Far Cry at Boston’s Jordan Hall; and the Cincinnati, Manitoba, New Century, and IRIS Chamber Orchestras. Recital engagements include performances at Kaufman Music Center’s Merkin Hall, a program of four-hand music with Simone Dinnerstein at the Washington Performing Arts Society, and an appearance at the Irving S. Gilmore International Piano Festival. August 2023 marks the release of his first album for New Amsterdam Records, STILLPOINT, which explores the truth and beauty found within T.S. Eliot’s Four Quartets through newly composed works by Tyshawn Sorey, Paola Prestini, Pēteris Vasks, Jessie Montgomery, Jonathan Bailey Holland, Alvin Singleton, and Judd Greenstein. Between performances at the piano, Awadagin maintains a bustling conducting career. This 23/24 season marks his first as Principal Conductor of the Miami Valley Symphony Orchestra and a return to the podium of the Chamber Orchestra of Pittsburgh. He recently made his conducting debut with the Georgia Symphony Orchestra (Tbilisi); his operatic debut leading Porgy and Bess with the Greensboro Opera (North Carolina); and conducted a concert featuring the music of jazz great Ornette Coleman with Bang on a Can at the Brooklyn Academy of Music. But Awadagin’s creativity cannot be confined to the stage alone. After witnessing the globally broadcast execution of George Floyd by officers of the Minneapolis Police Department, he published a podcast that quickly evolved into a multimedia musical experience. Performed primarily on college campuses across the U.S., Awadagin Pratt: Black in America fuses the music of Bach, Messaien, and Liszt with still and moving pictures by filmmaker Alrick Brown and an original narration in which he chronicles his life — from his time as a music student at the Peabody Conservatory through his ascent to international acclaim — through graphic accounts of numerous police stops and arrests he experienced for Driving While Black. In 2023, a documentary film version of Awadagin Pratt: Black in America directed by Michelle Bauer Carpenter aired in more than one million U.S. households and screened at film festivals across the country. Awadagin’s commitment to ushering in the next generation of agile, creative, and inventive pianists is evidenced by his work as founding director of the Next Generation Festival, the Art of the Piano Foundation, and the Nina Simone Piano Competition, a new biennial competition that celebrates diversity in classical music by showcasing the tremendous talents of young Black pianists. He has adjudicated the Rubinstein International Piano Master Competition, Cleveland International Piano Competition, Minnesota e-Competition, Unisa International Piano Competition, and the International Competition for Young Pianists created in memory of Vladimir Horowitz. Having recently left his position as Professor and Artist in Residence at the University of Cincinnati College-Conservatory of Music (CCM) after two decades, Awadagin is now Professor of Piano at the San Francisco Conservatory. He remains the only graduate of the Peabody Institute to earn performance certificates in three areas — violin, piano, and conducting — and has received the Distinguished Alumni Award from Johns Hopkins University and honorary doctorates from Illinois Wesleyan University, Susquehanna University, and the Boston Conservatory.
Cello Seminar Series - Phoebe Carrai Recital
Join Juilliard Professor and Director of the Harvard Baroque Orchestra, Phoebe Carrai for an intimate evening of Baroque Cello.
Phoebe Carrai, a native Bostonian, completed her post-graduate studies in Austria with Nikolaus Harnencourt, after studying with Lawrence Lesser and receiving her B.M. and M.M. at New England Conservatory of Music. She became a member of Musica Antiqua Köln in 1982, making over 40 recordings for Deutsche Gramophone and touring the world.
Ms. Carrai’s teaching career in historical performance started at the Hillversum Conservatory in the Netherlands and spending 16 years on the faculty of The University of the Arts in Berlin, Germany. She is presently on the faculties of The Juilliard School and The Longy School of Music. She started “New Years Resolution Baroque Cello Bootcamp” 15 years ago and it is still one of her greatest joys each year! In the summers, when not at her favorite spot on Cape Cod, she can be found teaching at Amherst Early Music, Aria Camp, The Bach Cello Suites Workshop and at Juilliard sponsored courses in Montisi, Italy and Brugge, Belgium.
Along with her solo and chamber music concerts, she directs Harvard Baroque Chamber Orchestra and performs regularly with Philharmonia Baroque, The Arcadian Academy, Juilliard Baroque, The Boston Early Music Festival and the Göttingen Festival Orchestra.
Ms. Carrai has released recordings of the Bach Solo Cello Suites, a duo recording of Frederich August Kummer, and has now also released “Out of Italy” for Avie Records. She has also recorded for Decca, Deutsche Gramophone, Aetme, Telarc and BMG. She plays on an Italian cello from ca. 1690.
This concert is part of the Sitka International Cello Seminar Concert Series presented by the Sitka Music Festival. The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Melodic Majesty: Rising Cello Stars at the Mean Queen
For over 10 years the Sitka International Cello Seminar has brought some of the brightest young emerging professional cellists in the world to Sitka to be mentored by leading professionals in the field and inspired by the nature of Sitka. Under the leadership of Grammy-winning cellist, Zuill Bailey, this seminar's concert series now acts as an extension of the Sitka Music Festival's summer programming bringing summer programming to 7 weeks in Sitka from early June through mid July.
Each summer the fellows present several recitals and community engagement events throughout Sitka. Past cello seminar fellows have gone on to perform as soloists at the Aspen Festival, San Francisco Symphony, and more. Hear them first right here in Sitka!
2024 fellows include emerging artists from Beijing, Salzburg, and throughout the United States. Join these rising stars for a fun evening showing off their creativity while enjoying Mean Queen's full menu in the Dungeon!
The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Corks and Keys: An Evening of Wine & Music with Barrister Winery and Victor Asuncion
Join us for a special event that will delight your senses! A wine tasting led by Greg Lipskur, Winemaker and Owner of Barrister Winery followed by a recital by Victor Asuncion, piano.
5 p.m. Doors open and wine tasting begins
6 p.m. Music begins
Greg Lipsker and Michael White were vacationing with their families in British Columbia. En route, they stopped in a local shop to buy wine and walked out with a five-gallon Zinfandel wine making kit.
Five gallons turned into fifty gallons, which then turned into crushing 1½ tons of grapes in Greg’s garage in 2000. Validation came when they submitted their wine to the Indy International Wine Competition and walked away with three golds and a silver medal. Their passion ignited, Greg and Michael forged ahead with a mix of trial and error, conversations with local vintners, and courses at Walla Walla Community College. In 2001, the two lawyers decided to name their new business after the British word for lawyer; Barrister Winery was launched.
As Barrister grew, so did the accolades. Vintage after vintage won awards, including “Best of Show” at the prestigious Los Angeles Wines of the World competition. As well, Barrister Wines claim consistent 90+ point scores in the industry’s most prestigious wine magazines.
As the winery grew, the need for an assistant was apparent. Tyler Walters, knowing nothing about wine, but willing to learn and committed to creating a welcoming winery experience was a great fit. Tyler has been helping make Barrister wine since 2009. Now part owner, Tyler is fully immersed in all things Barrister. As Barrister has grown, passion for great winemaking has always been at the forefront of the business. But, the relationship with customers and community has always set Barrister Winery apart.
In November 2015, Barrister opened its second Tasting Room, located at 203 North Washington Street, across from the Davenport Grand Hotel in downtown Spokane. This location features a selection of our wines at an easily accessible location for downtown shoppers, sight-seers, and theatre goers.
Hailed by The Washington Post for his “poised and imaginative playing,” Filipino-American pianist Victor Santiago Asuncion has appeared in concert halls in Brazil, Canada, Ecuador, France, Italy, Germany, Japan, Mexico, the Philippines, Spain, Turkey and the USA, as a recitalist and concerto soloist. He played his orchestral debut at the age of 18 with the Manila Chamber Orchestra, and his New York recital debut in Carnegie’s Weill Recital Hall in 1999. In addition, he has worked with conductors including Sergio Esmilla, Enrique Batiz, Mei Ann Chen, Zeev Dorman, Arthur Weisberg, Corrick Brown, David Loebel, Leon Fleisher, Michael Stern, Jordan Tang, and Bobby McFerrin.
A chamber music enthusiast, he has performed with artists such as Lynn Harrell, Zuill Bailey, Andres Diaz, James Dunham, Antonio Meneses, Joshua Roman, Cho-Liang Lin, Giora Schmidt, the Dover, Emerson, Serafin, Sao Paulo, and Vega String Quartets. He was on the chamber music faculty of the Aspen Music Festival, and the Garth Newel Summer Music Festival. He was also the pianist for the Garth Newel Piano Quartet for three seasons. Festival appearances include the Amelia Island, Highland-Cashiers, Music in the Vineyards, and Santa Fe.
His recordings include the complete Sonatas of L. van Beethoven with cellist Tobias Werner, Sonatas by Shostakovich and Rachmaninoff with cellist Joseph Johnson, the Rachmaninoff Sonata with the cellist Evan Drachman, and the Chopin and Grieg Sonatas, also with cellist Evan Drachman. He is featured in the award winning recording “Songs My Father Taught Me” with Lynn Harrell, produced by Louise Frank and WFMT-Chicago. Mr. Asuncion is the Founder, and Artistic and Board Director of FilAm Music Foundation, a non-profit foundation that is dedicated to promoting Filipino classical musicians through scholarship, and performance.
He received his Doctor of Musical Arts Degree in 2007 from the University of Maryland at College Park under the tutelage of Rita Sloan. Victor Santiago Asuncion is a Steinway artist.
The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Cello Seminar Series - Emerging Stars Week 2
For over 10 years the Sitka International Cello Seminar has brought some of the brightest young emerging professional cellists in the world to Sitka to be mentored by leading professionals in the field and inspired by the nature of Sitka. Under the leadership of Grammy-winning cellist, Zuill Bailey, this seminar's concert series now acts as an extension of the Sitka Music Festival's summer programming bringing summer programming to 7 weeks in Sitka from early June through mid July.
Each summer the fellows present several recitals and community engagement events throughout Sitka. Past cello seminar fellows have gone on to perform as soloists at the Aspen Festival, San Francisco Symphony, and more. Hear them first right here in Sitka!
2024 fellows include emerging artists from Beijing, Salzburg, and throughout the United States.
The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Cello Seminar Series - Emerging Stars
For over 10 years the Sitka International Cello Seminar has brought some of the brightest young emerging professional cellists in the world to Sitka to be mentored by leading professionals in the field and inspired by the nature of Sitka. Under the leadership of Grammy-winning cellist, Zuill Bailey, this seminar's concert series now acts as an extension of the Sitka Music Festival's summer programming bringing summer programming to 7 weeks in Sitka from early June through mid July.
Each summer the fellows present several recitals and community engagement events throughout Sitka. Past cello seminar fellows have gone on to perform as soloists at the Aspen Festival, San Francisco Symphony, and more. Hear them first right here in Sitka!
2024 fellows include emerging artists from Beijing, Salzburg, and throughout the United States.
The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Cello Seminar Series - Clive Greensmith Recital
Join legendary cellist, Clive Greensmith in recital with pianist, Victor Asuncion as part of the Sitka International Cello Seminar Concert Series. For over 10 years the Sitka International Cello Seminar has brought some of the brightest young emerging professional cellists in the world to Sitka to be mentored by professionals and inspired by the nature of Sitka. Under the leadership of Grammy-winning cellist, Zuill Bailey, this seminar's concert series now acts as an extension of the Sitka Music Festival's summer programming bringing summer programming to 7 weeks in Sitka from early June through mid July.
From 1999 until its final season in 2013, Clive Greensmith was a member of the world-renowned Tokyo String Quartet, giving over one hundred performances each year in the most prestigious international venues, including New York’s Carnegie Hall, Sydney Opera House, London’s South Bank, Paris Chatelet, Berlin Philharmonie, Vienna Musikverein, and Suntory Hall in Tokyo. He has collaborated with international artists such as Andras Schiff, Pinchas Zukerman, Leon Fleisher, Lynn Harrell, Dmitry Sitkovetsky, Alicia de Larrocha, and Emanuel Ax.
Mr. Greensmith has given guest performances at prominent festivals worldwide. In North America, he has performed at the Aspen Music Festival, Marlboro Music Festival, Music@Menlo, La Jolla SummerFest, Santa Fe Chamber Music Festival, Cleveland Chamber Fest, and the Ravinia Festival. He is a regular guest of the Chamber Music Society of Lincoln Center and will undertake a national tour with Paul Huang, Wu Han, and Matthew Lipman in 2020. Internationally he has appeared at the Salzburg Festival in Austria, Edinburgh Festival in Scotland, Pacific Music Festival in Japan and the Hong Kong Arts Festival. As a soloist, Clive Greensmith has performed with the London Symphony Orchestra, Royal Philharmonic Orchestra, Seoul Philharmonic, and the RAI Orchestra of Rome among others.
During a career spanning over twenty-five years, Mr. Greensmith has built up a catalog of landmark recordings, most notably The Complete Beethoven String Quartets for Harmonia Mundi with the Tokyo String Quartet, Mozart’s ‘Prussian’ Quartets with the Tokyo String Quartet, Brahms Cello Sonatas with Boris Berman for Biddulph Recordings, and Clarinet Trios of Beethoven and Brahms with Jon Nakamatsu and Jon Manasse for Harmonia Mundi. In June 2018 he performed the newly reconstructed Pál Hermann cello concerto (1925) with the Lviv Philharmonic Orchestra under conductor, Theodor Kuchar. Toccata Classics released a live recording of his world premiere performance of the Concerto with Theodore Kuchar and the Lviv International Symphony Orchestra in the spring of 2019.
Deeply committed to the mentoring and development of young musicians, Clive has enjoyed a long and distinguished teaching career. In addition to his fifteen-year residency with the Tokyo String Quartet at Yale University, Mr. Greensmith has served as a faculty member at the Yehudi Menuhin School and Royal Northern College of Music in England, the San Francisco Conservatory of Music and the Manhattan School of Music. In 2013, following the final concerts of the Tokyo String Quartet, Mr. Greensmith joined the faculty at the Colburn School where he is currently a professor of cello and coaches chamber music for the Conservatory of Music and the Music Academy. Students of Mr. Greensmith have gone on to secure major positions in orchestras throughout the world and have won a number of prestigious awards.
In July 2019, he succeeded Günther Pichler as director of string chamber music at the Accademia Chigiana International Festival and Summer Academy in Siena, Italy. Also in 2019, Greensmith became the Artistic Director of the Nevada Chamber Music Festival.
Mr. Greensmith is a founding member of the Montrose Trio with pianist Jon Kimura Parker, and violinist Martin Beaver.
Clive Greensmith proudly uses Pirastro strings. For more information click here.
Hailed by The Washington Post for his “poised and imaginative playing,” Filipino-American pianist Victor Santiago Asuncion has appeared in concert halls in Brazil, Canada, Ecuador, France, Italy, Germany, Japan, Mexico, the Philippines, Spain, Turkey and the USA, as a recitalist and concerto soloist. He played his orchestral debut at the age of 18 with the Manila Chamber Orchestra, and his New York recital debut in Carnegie’s Weill Recital Hall in 1999. In addition, he has worked with conductors including Sergio Esmilla, Enrique Batiz, Mei Ann Chen, Zeev Dorman, Arthur Weisberg, Corrick Brown, David Loebel, Leon Fleisher, Michael Stern, Jordan Tang, and Bobby McFerrin.
A chamber music enthusiast, he has performed with artists such as Lynn Harrell, Zuill Bailey, Andres Diaz, James Dunham, Antonio Meneses, Joshua Roman, Cho-Liang Lin, Giora Schmidt, the Dover, Emerson, Serafin, Sao Paulo, and Vega String Quartets. He was on the chamber music faculty of the Aspen Music Festival, and the Garth Newel Summer Music Festival. He was also the pianist for the Garth Newel Piano Quartet for three seasons. Festival appearances include the Amelia Island, Highland-Cashiers, Music in the Vineyards, and Santa Fe.
His recordings include the complete Sonatas of L. van Beethoven with cellist Tobias Werner, Sonatas by Shostakovich and Rachmaninoff with cellist Joseph Johnson, the Rachmaninoff Sonata with the cellist Evan Drachman, and the Chopin and Grieg Sonatas, also with cellist Evan Drachman. He is featured in the award winning recording “Songs My Father Taught Me” with Lynn Harrell, produced by Louise Frank and WFMT-Chicago. Mr. Asuncion is the Founder, and Artistic and Board Director of FilAm Music Foundation, a non-profit foundation that is dedicated to promoting Filipino classical musicians through scholarship, and performance.
He received his Doctor of Musical Arts Degree in 2007 from the University of Maryland at College Park under the tutelage of Rita Sloan. Victor Santiago Asuncion is a Steinway artist.
The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Classical Music Brunch
Join us for the 2024 Brunch Concert in our beautifully renovated home, The Miner Music Center at Stevenson Hall! This fundraiser is one of the Festival's most intimate events as the audience is limited to 40 attendees and it is the final summer festival event.
Doors open at 11 a.m. for a beverage while you find your seats followed by a concert around 11:30 and finishing with a full catered brunch. Beverages will include Prosecco, Mimosas, Orange Juice, Coffee, Tea and more. Every year the brunch has at least one Alaskan themed item, which is often Moose Pastrami.
This year, the event will be even more special as we showcase the Sitka Violin, an instrument made of salvaged wood from Sitka, including Sitka Spruce that used to be in our building, the Miner Music Center at Stevenson Hall. Meet the violin maker and learn about this project.
Also new this year - all ticket fees are included in the price and not added at the end. So, get your ticket online in advance, because the brunch sells out!
Festival Finale: Chopin, Dvořák, & Quinn Mason - Summer Subscription Concert Number 8
Join us for our final subscription concert of the 2024 festival featuring a group of festival friends and family members. The concert opens with star pianist, Natasha Paremski performing Quinn Mason's: New Era Bagatelles followed by Chopin's Piano Sonata No. 2 before wrapping up with Dvorak's Piano Quintet No. 2.
Program
Quinn Mason: New Era Bagatelles
Frédéric Chopin: Piano Sonata No. 2 in B flat minor, Op. 35
Natasha Paremski, piano
—Intermission—
Antonin Dvořák: Piano Quintet No. 2, Op. 81
Helen Kim, Violin
Allison Bailey, Violin
Yinzi Kong, Viola
Zuill Bailey, Cello
William Ranson, Piano 1/3
Jasmin Arakawa, piano 2/4
With her consistently striking and dynamic performances, pianist Natasha Paremski reveals astounding virtuosity and profound interpretations. She continues to generate excitement from all corners as she wins over audiences with her musical sensibility and a powerful, flawless technique.
Natasha is a regular return guest of many major orchestras, including Minnesota Orchestra, San Francisco Symphony, Grant Park Festival, Winnipeg Symphony, Kitchener-Waterloo Symphony, Oregon Symphony, Elgin Symphony, Colorado Symphony, Buffalo Philharmonic, Virginia Symphony, and Royal Philharmonic Orchestra with whom she has performed and toured frequently since 2008 in venues such as Royal Albert Hall, Royal Festival Hall, and Cadogan Hall. She has performed with major orchestras in North America including Dallas Symphony Orchestra, Los Angeles Philharmonic Orchestra, San Diego Symphony, Toronto Symphony, Baltimore Symphony, Houston Symphony, NAC Orchestra in Ottawa, Nashville Symphony. She has toured extensively in Europe with such orchestras as Bournemouth Symphony Orchestra, Vienna’s Tonkünstler Orchester, Royal Scottish National Orchestra, Orchestre de Bretagne, the Orchestre de Nancy, Royal Liverpool Philharmonic Orchestra, Tonhalle Orchester in Zurich, Moscow Philharmonic, under the direction of conductors including Thomas Dausgaard, Peter Oundjian, Andres Orozco-Estrada, Jeffrey Kahane, James Gaffigan, JoAnn Falletta, Fabien Gabel, Rossen Milanov and Andrew Litton. In addition, she has toured with Gidon Kremer and the Kremerata Baltica in Latvia, Benelux, the United Kingdom and Austria as well as appearances with National Taiwan Symphony Orchestra in Taipei.
Natasha has given recitals at the Auditorium du Louvre in Paris, Wigmore Hall, Schloss Elmau, Mecklenburg-Vorpommern Festival, Verbier Festival, San Francisco Performances, Seattle’s Meany Hall, Kansas City’s Harriman Jewell Series, Santa Fe’s Lensic Theater, Ludwigshafen BASF Series, Teatro Colon in Buenos Aires, Tokyo’s Musashino Performing Arts Center and on the Rising Stars Series of Gilmore and Ravinia Festivals.
A passionate chamber musician, Natasha is a regular recital partner of Grammy winning cellist Zuill Bailey, with whom she has recorded a number of CDs. Their Britten album on Telarc debuted at No. 1 on the Billboard Classical Chart, remaining there for a number of weeks, in addition to being featured on The New York Times Playlist. She has been a guest of many chamber music festivals such as Jeffrey Kahane’s Green Music Center ChamberFest, the Lockenhaus, Toronto, Sitka Summer Music, and Cape Cod Chamber Music festivals to name a few.
Natasha was awarded several prestigious prizes at a very young age, including the Gilmore Young Artists prize in 2006 at the age of eighteen, the Prix Montblanc in 2007, the Orpheum Stiftung Prize in Switzerland. In September 2010, she was awarded the Classical Recording Foundation’s Young Artist of the Year. Her first recital album was released in 2011 to great acclaim, topping the Billboard Classical Charts, and was re-released on the Steinway & Sons label in September 2016 featuring Islamey recorded on Steinway’s revolutionary new Spirio technology. In 2012 she recorded Tchaikovsky’s Piano Concerto No. 1 and Rachmaninoff’s Paganini Rhapsody with Royal Philharmonic Orchestra and Fabien Gabel on the orchestra’s label distributed by Naxos.
With a strong focus on new music, Natasha’s growing repertoire reflects an artistic maturity beyond her years. In the 2010-11 season, she played the world premiere of a sonata written for her by Gabriel Kahane, which was also included in her solo album.
Natasha continues to extend her performance activity and range beyond the traditional concert hall. In December 2008, she was the featured pianist in choreographer Benjamin Millepied’s Danses Concertantes at New York’s Joyce Theater. She was featured in a major two-part film for BBC Television on the life and work of Tchaikovsky, shot on location in St. Petersburg, performing excerpts from Tchaikovsky’s First Piano Concerto and other works. In the winter of 2007, Natasha participated along with Simon Keenlyside in the filming of Twin Spirits, a project starring Sting and Trudie Styler that explores the music and writing of Robert and Clara Schumann, which was released on DVD. She has performed in the project live several times with the co-creators in New York and the U.K., directed by John Caird, the original director/adaptor of the musical Les Misérables.
Natasha began her piano studies at the age of four with Nina Malikova at Moscow’s Andreyev School of Music. She then studied at San Francisco Conservatory of Music before moving to New York to study with Pavlina Dokovska at Mannes College of Music, from which she graduated in 2007. Natasha made her professional debut at age nine with El Camino Youth Symphony in California. At the age of fifteen she debuted with Los Angeles Philharmonic and recorded two discs with Moscow Philharmonic Orchestra.
Born in Moscow, Natasha moved to the United States at the age of eight, becoming a U.S. citizen shortly thereafter, and is now based in New York City where she is Artistic Director of the New York Piano Society, a non-profit organization that supports pianists whose professions lie outside of music.
Helen Hwaya Kim made her orchestral debut with the Calgary Philharmonic at
the age of six. She has appeared as a soloist with the Boston Pops at Boston's
Symphony Hall, as well as with the Milwaukee and Atlanta Symphony
Orchestras. Ms. Kim earned her Bachelor and Master's Degree from the Juilliard
School, where her teachers included Hyo, Kang, Cho-Liang Lin and Dorothy
DeLay. While at Juilliard, she served as Concertmaster of the Juilliard Orchestra
and was the winner of the Juilliard Concerto Competition at both the pre–college
and college levels. She is the recipient of more than one hundred national and
international awards. She won the prestigious Artists International Competition in
New York and, as a result, gave debut recitals at Carnegie Weill Hall and the
Aspen Summer Music Festival. A native of Canada, Ms. Kim has been engaged
as soloist by many of Canada’s leading orchestras, including the National Arts
Center Orchestra, Montreal Metropolitan Orchestra, Vancouver Symphony,
McGill Chamber Orchestra, and the Windsor, Regina, Victoria and Prince George
Symphonies. She has also appeared as soloist with the DeKalb, New Orleans,
Aspen and Banff Festival Orchestras, and with orchestras in the United Kingdom,
Germany and Poland. Ms. Kim has toured extensively throughout Canada and
the United States, including performances at Alice Tully Hall and the Santa Fe,
La Jolla, Highlands-Cashiers, Amelia Island, El Paso Pro Musica,Zenith and
Sitka International Chamber Music Festivals. She recently made her debut at the
Concertgebouw in Amsterdam and at the St Miguel de Allende International
Chamber music festival.
Ms. Kim currently resides in Atlanta, Georgia, where she served as Assistant and
Associate Concertmaster for the Atlanta Symphony for three seasons. She is
currently the Assistant Concertmaster of the Atlanta Opera Orchestra and serves
as Professor of Violin and Chair of the String Department at Kennesaw State
University.
Hailed by Gramophone for her ‘characterful sparkle’, Jasmin Arakawa has performed widely in North America, Central and South America, Europe, China and Japan. A prizewinner of the Jean Françaix International Music Competition, she has been heard at Carnegie Hall, Salle Gaveau in Paris and Victoria Hall in Geneva, as well as in broadcasts of the ABC Australia, BBC, PBS and Radio France. She has appeared as a concerto soloist with the Philips Symfonie Orkest in Amsterdam, Orquestra Sinfonica de Piracicaba in Brazil, and numerous orchestras in the United States and her native Japan. Other performance highlights include guest artist appearances at the Toronto Summer Festival, Ribadeo International Music Festival in Spain, Bicentenaire de Chopin in Switzerland, Scotiabank Northern Lights Music Festival in Mexico, Festival de Música de Cámara in Peru, Festival Internacional de Música Erudita de Piracicaba in Brazil, Dame Myra Hess Memorial Concert Series, Fazioli Piano Pure Series in Chicago and Distinguished Concerts International New York. Arakawa released her debut solo album Klavierabend on MSR Classics to critical acclaim, praised by American Record Guide for her ‘rich lyricism’ and ‘supreme clarity’.
She has a special interest in Spanish repertoire, which grew out of a series of lessons with Alicia de Larrocha. As a prizewinner of the Competition in the Performance of Music from Spain and Latin America and under the sponsorship of the Spanish Embassy, she subsequently recorded solo and chamber pieces by Spanish and Latin American composers.
Arakawa has collaborated with notable artists including cellists Zuill Bailey, Colin Carr and Gary Hoffman, flutists Jean Ferrandis, Marina Piccinini, and Carol Wincenc, clarinetist James Campbell, and the Penderecki String Quartet. In addition, she has served as Collaborative Pianist in Residence at the Banff Centre in Canada for three seasons. An advocate of new music, Arakawa has premiered and performed numerous contemporary works. Recently she released the complete works of Witold Lutosławski for violin and piano on PARMA Recordings with Canadian violinist Véronique Mathieu.
Jasmin Arakawa is a graduate of Tokyo University of the Arts. She holds Doctor of Music and Master of Music degrees in Piano Performance from Indiana University Jacobs School of Music, where she studied with Emile Naoumoff, the last protégé of Nadia Boulanger. A recipient of the 2016 Steinway Top Teacher Award, Arakawa has given master classes at China Conservatory of Music in Beijing, Conservatorio Nacional de Música in Peru, Instituto Baccarelli in Brazil, and numerous universities in North America and Europe. A sought-after adjudicator, Arakawa has served on the juries of international and national competitions, including the International Chopin Piano Competition for Latin American Pianists (Peru), New Orleans Piano Institute Competition (USA), and Beethoven International Piano Competition ASIA (Japan). Jasmin Arakawa is Associate Professor of Piano and Piano Area Coordinator at the University of Florida, UF Research Foundation Professor (2023-2025), and Director of the UF International Piano Festival.
Pianist, Artistic Director, Master teacher, editor and judge for international competitions, William Ransom regularly appears in recital, as soloist with orchestras, and as a chamber musician in Eastern and Western Europe, Japan, Korea, South America, Mexico, Canada, and throughout the United States. He has performed in New York’s Weill Hall at Carnegie Hall, Alice Tully Hall, Town Hall, and Merkin Hall; in Orchestra Halls in Chicago, Detroit, Los Angeles, and Atlanta; at the National Gallery in Washington D.C.; and in Philadelphia, Boston, Miami, and Dallas.
He has been invited to perform for the American Ambassadors to Austria, Japan, Korea, the Netherlands, and Ireland, and his performances have been broadcast on National Public Radio and Television in the United States, Japan, Korea, Argentina, and Poland. His recording of Enoch Arden, by Richard Strauss, The Music of Alfredo Barili, Chamber Music of Johannes Brahms and “Listening to Memories” with Chopin, Brahms and Bach were released on the ACA label. Mr. Ransom can also be heard on Heartkeys, from Rising Star Records.
Ransom commissioned and premiered several major works by composer Stephen Paulus including his “Concerto for Piano and Wind Ensemble,” and he was also the featured pianist performing music by Dwight Andrews used in August Wilson’s Pulitzer Prize-winning Broadway hit, The Piano Lesson, as well as the Hallmark Hall of Fame movie based on the same play.
A popular performer on many University concert series, he has performed at numerous colleges around the world including Yale, Cornell, Duke, Tulane, Vanderbilt, M.I.T., Stanford, Toho (Japan), Yonsei (Korea), and the School of the Arts (Argentina) where he has also given masterclasses.
Born in Boston, Ransom began his musical studies at an early age. He was a scholarship student of William Masselos at The Juilliard School in New York (BM and MM), and he also worked with Theodore Lettvin at the University of Michigan (DMA) and Madame Gaby Casadesus at the Ravel Academy idn France.
Ransom is the Mary L. Emerson Professor of Piano at Emory University in Atlanta. He is founder and Artistic Director of the Emory Chamber Music Society of Atlanta collaborates with such artists as cellists Yo-Yo Ma, Steven Isserlis, and Zuill Bailey; clarinetist Richard Stoltzman; members of the Emerson, Juilliard, Tokyo, Cleveland, St. Petersburg, American, Ariel, Parker, Vega, Borromeo, Lark, Cavani, Attacca, and Muir String Quartets; violinists William Preucil, Elmar Oliviera, Tim Fain, and Robert McDuffie; guitarist Eliot Fisk, and members of the Empire Brass Quintet, the Eroica Trio and the percussion group Nexus among many other classical musicians. He has also worked with jazz great Dave Brubeck and American bluegrass masters Chris Thile and Mark O’Connor.
In the summers, Ransom is Artistic Director of the Highlands-Cashiers Chamber Music Festival in North Carolina and for ten years was also an artist-faculty member of the Kamisaibara Pianists Camp in Japan. In 2016 he was named Artistic Director of the Juneau Jazz & Classics Festival and also one of Musical America Worldwide’s “30 Musical Innovators.”
Allison Bailey began violin studies at the age of four, developed a love for orchestral playing, and became the youngest member of the Prince William Symphony Orchestra at age ten. Ms. Bailey attended Peabody Conservatory of Music, the University of Oregon, and the Manhattan School of Music. She holds a Bachelor’s degree, Graduate Performance Diploma, a Master’s degree in violin performance, and a Master’s degree in orchestral performance.
Prior to returning to Virginia in 1999, Ms. Bailey lived and worked in New York City, where she experienced a variety of performing engagements including frequent orchestral performances at Carnegie Hall, recording sessions at Sony studios for Quincy Jones Productions, performing on the soundtrack to the A&E Biography of Irving Berlin, and coaching actress Juliana Margulies in a violinist role for the NBC hit drama Homicide.
Ms. Bailey has served as guest conductor for All-County, District, and Regional Orchestras in Fairfax and surrounding counties in addition to serving as adjudicator for the New York Orchestra Festival at Carnegie Hall and state assessments throughout Virginia. She has also served as audition coach for Senior Regional Prep Day in Fairfax and Spotsylvania Counties, and faculty member of the Virginia Governor’s School for the Arts in Richmond.
In addition to her post as Concertmaster of the Manassas Ballet Theatre Orchestra, Ms. Bailey also serves as Associate Concertmaster of the Alexandria Symphony Orchestra, Associate Concertmaster of the Fairfax Symphony Orchestra, and is an active freelance musician in the Washington area. In recent years Ms. Bailey has been a featured soloist with the Alexandria Symphony Orchestra, and chamber musician at the Sitka Music Festival in Alaska and the Highlands-Cashiers Chamber Music Festival in North Carolina.
Violist Yinzi Kong received her early training at the Shanghai Conservatory of Music and holds a master’s degree from the Manhattan School of Music. Ms. Kong enjoys a versatile career as both a soloist and chamber musician and has 20 plus years teaching experience. As a founding member of international award-winning Vega String Quartet, Ms. Kong won several top prizes at the Bordeaux International String Quartet Competition in France, the Carmel String Quartet Competition and the Coleman Competition in the US, and she performs in major concert halls around the world including the stages of Carnegie Hall, the Musikverein in Vienna and the Concertgebouw in Amsterdam. Festival concert appearances include Aspen, La Jolla, Rockport, Mostly Mozart, El Paso Pro Musica, Highlands-Cashiers, and Brevard. As a soloist, Miss Kong has given recitals in Canada, China, Italy and the US. Her collaboration partners are some of the finest musicians of our time including Eliot Fisk, William Preucil, Richard Stoltzman, Charles Wadsworth, Zuill Bailey, and the Eroica Trio. Her live performances have been broadcast on NPR's Performance Today, the National Radio of China, Shanghai TV, Radio France, France Musiques, and the East German Radio. She has recorded for Naxos and Artek. Miss Kong currently resides in Atlanta, where the Vega Quartet are full-time Artists-in-Residence at Emory University.
The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Piano Quartets: Mahler, Mozart, and Schumann - Summer Subscription Concert Number 7
Join us four our 7th summer subscription concert featuring piano quartets by Mahler, Mozart, and Schumann.
Gustav Mahler: Piano Quartet in A minor
Wolfgang Amadeus Mozart: Quartet in E flat, K 493
Helen Kim, Violin
Allison Bailey, Viola
Zuill Bailey, Cello
Jasmin Arakawa, piano
—intermission—
Robert Schumann : Piano Quartet, Op. 47
Helen Kim, Violin
Yinzi Kong, Viola
Zuill Bailey, Cello
William Ransom, Piano
*repertoire and artists subject to change
Helen Hwaya Kim made her orchestral debut with the Calgary Philharmonic at
the age of six. She has appeared as a soloist with the Boston Pops at Boston's
Symphony Hall, as well as with the Milwaukee and Atlanta Symphony
Orchestras. Ms. Kim earned her Bachelor and Master's Degree from the Juilliard
School, where her teachers included Hyo, Kang, Cho-Liang Lin and Dorothy
DeLay. While at Juilliard, she served as Concertmaster of the Juilliard Orchestra
and was the winner of the Juilliard Concerto Competition at both the pre–college
and college levels. She is the recipient of more than one hundred national and
international awards. She won the prestigious Artists International Competition in
New York and, as a result, gave debut recitals at Carnegie Weill Hall and the
Aspen Summer Music Festival. A native of Canada, Ms. Kim has been engaged
as soloist by many of Canada’ss leading orchestras, including the National Arts
Center Orchestra, Montreal Metropolitan Orchestra, Vancouver Symphony,
McGill Chamber Orchestra, and the Windsor, Regina, Victoria and Prince George
Symphonies. She has also appeared as soloist with the DeKalb, New Orleans,
Aspen and Banff Festival Orchestras, and with orchestras in the United Kingdom,
Germany and Poland. Ms. Kim has toured extensively throughout Canada and
the United States, including performances at Alice Tully Hall and the Santa Fe,
La Jolla, Highlands-Cashiers, Amelia Island, El Paso Pro Musica,Zenith and
Sitka International Chamber Music Festivals. She recently made her debut at the
Concertgebouw in Amsterdam and at the St Miguel de Allende International
Chamber music festival.
Ms. Kim currently resides in Atlanta, Georgia, where she served as Assistant and
Associate Concertmaster for the Atlanta Symphony for three seasons. She is
currently the Assistant Concertmaster of the Atlanta Opera Orchestra and serves
as Professor of Violin and Chair of the String Department at Kennesaw State
University.
Hailed by Gramophone for her ‘characterful sparkle’, Jasmin Arakawa has performed widely in North America, Central and South America, Europe, China and Japan. A prizewinner of the Jean Françaix International Music Competition, she has been heard at Carnegie Hall, Salle Gaveau in Paris and Victoria Hall in Geneva, as well as in broadcasts of the ABC Australia, BBC, PBS and Radio France. She has appeared as a concerto soloist with the Philips Symfonie Orkest in Amsterdam, Orquestra Sinfonica de Piracicaba in Brazil, and numerous orchestras in the United States and her native Japan. Other performance highlights include guest artist appearances at the Toronto Summer Festival, Ribadeo International Music Festival in Spain, Bicentenaire de Chopin in Switzerland, Scotiabank Northern Lights Music Festival in Mexico, Festival de Música de Cámara in Peru, Festival Internacional de Música Erudita de Piracicaba in Brazil, Dame Myra Hess Memorial Concert Series, Fazioli Piano Pure Series in Chicago and Distinguished Concerts International New York. Arakawa released her debut solo album Klavierabend on MSR Classics to critical acclaim, praised by American Record Guide for her ‘rich lyricism’ and ‘supreme clarity’.
She has a special interest in Spanish repertoire, which grew out of a series of lessons with Alicia de Larrocha. As a prizewinner of the Competition in the Performance of Music from Spain and Latin America and under the sponsorship of the Spanish Embassy, she subsequently recorded solo and chamber pieces by Spanish and Latin American composers.
Arakawa has collaborated with notable artists including cellists Zuill Bailey, Colin Carr and Gary Hoffman, flutists Jean Ferrandis, Marina Piccinini, and Carol Wincenc, clarinetist James Campbell, and the Penderecki String Quartet. In addition, she has served as Collaborative Pianist in Residence at the Banff Centre in Canada for three seasons. An advocate of new music, Arakawa has premiered and performed numerous contemporary works. Recently she released the complete works of Witold Lutosławski for violin and piano on PARMA Recordings with Canadian violinist Véronique Mathieu.
Jasmin Arakawa is a graduate of Tokyo University of the Arts. She holds Doctor of Music and Master of Music degrees in Piano Performance from Indiana University Jacobs School of Music, where she studied with Emile Naoumoff, the last protégé of Nadia Boulanger. A recipient of the 2016 Steinway Top Teacher Award, Arakawa has given master classes at China Conservatory of Music in Beijing, Conservatorio Nacional de Música in Peru, Instituto Baccarelli in Brazil, and numerous universities in North America and Europe. A sought-after adjudicator, Arakawa has served on the juries of international and national competitions, including the International Chopin Piano Competition for Latin American Pianists (Peru), New Orleans Piano Institute Competition (USA), and Beethoven International Piano Competition ASIA (Japan). Jasmin Arakawa is Associate Professor of Piano and Piano Area Coordinator at the University of Florida, UF Research Foundation Professor (2023-2025), and Director of the UF International Piano Festival.
Pianist, Artistic Director, Master teacher, editor and judge for international competitions, William Ransom regularly appears in recital, as soloist with orchestras, and as a chamber musician in Eastern and Western Europe, Japan, Korea, South America, Mexico, Canada, and throughout the United States. He has performed in New York’s Weill Hall at Carnegie Hall, Alice Tully Hall, Town Hall, and Merkin Hall; in Orchestra Halls in Chicago, Detroit, Los Angeles, and Atlanta; at the National Gallery in Washington D.C.; and in Philadelphia, Boston, Miami, and Dallas.
He has been invited to perform for the American Ambassadors to Austria, Japan, Korea, the Netherlands, and Ireland, and his performances have been broadcast on National Public Radio and Television in the United States, Japan, Korea, Argentina, and Poland. His recording of Enoch Arden, by Richard Strauss, The Music of Alfredo Barili, Chamber Music of Johannes Brahms and “Listening to Memories” with Chopin, Brahms and Bach were released on the ACA label. Mr. Ransom can also be heard on Heartkeys, from Rising Star Records.
Ransom commissioned and premiered several major works by composer Stephen Paulus including his “Concerto for Piano and Wind Ensemble,” and he was also the featured pianist performing music by Dwight Andrews used in August Wilson’s Pulitzer Prize-winning Broadway hit, The Piano Lesson, as well as the Hallmark Hall of Fame movie based on the same play.
A popular performer on many University concert series, he has performed at numerous colleges around the world including Yale, Cornell, Duke, Tulane, Vanderbilt, M.I.T., Stanford, Toho (Japan), Yonsei (Korea), and the School of the Arts (Argentina) where he has also given masterclasses.
Born in Boston, Ransom began his musical studies at an early age. He was a scholarship student of William Masselos at The Juilliard School in New York (BM and MM), and he also worked with Theodore Lettvin at the University of Michigan (DMA) and Madame Gaby Casadesus at the Ravel Academy idn France.
Ransom is the Mary L. Emerson Professor of Piano at Emory University in Atlanta. He is founder and Artistic Director of the Emory Chamber Music Society of Atlanta collaborates with such artists as cellists Yo-Yo Ma, Steven Isserlis, and Zuill Bailey; clarinetist Richard Stoltzman; members of the Emerson, Juilliard, Tokyo, Cleveland, St. Petersburg, American, Ariel, Parker, Vega, Borromeo, Lark, Cavani, Attacca, and Muir String Quartets; violinists William Preucil, Elmar Oliviera, Tim Fain, and Robert McDuffie; guitarist Eliot Fisk, and members of the Empire Brass Quintet, the Eroica Trio and the percussion group Nexus among many other classical musicians. He has also worked with jazz great Dave Brubeck and American bluegrass masters Chris Thile and Mark O’Connor.
In the summers, Ransom is Artistic Director of the Highlands-Cashiers Chamber Music Festival in North Carolina and for ten years was also an artist-faculty member of the Kamisaibara Pianists Camp in Japan. In 2016 he was named Artistic Director of the Juneau Jazz & Classics Festival and also one of Musical America Worldwide’s “30 Musical Innovators.”
Allison Bailey began violin studies at the age of four, developed a love for orchestral playing, and became the youngest member of the Prince William Symphony Orchestra at age ten. Ms. Bailey attended Peabody Conservatory of Music, the University of Oregon, and the Manhattan School of Music. She holds a Bachelor’s degree, Graduate Performance Diploma, a Master’s degree in violin performance, and a Master’s degree in orchestral performance.
Prior to returning to Virginia in 1999, Ms. Bailey lived and worked in New York City, where she experienced a variety of performing engagements including frequent orchestral performances at Carnegie Hall, recording sessions at Sony studios for Quincy Jones Productions, performing on the soundtrack to the A&E Biography of Irving Berlin, and coaching actress Juliana Margulies in a violinist role for the NBC hit drama Homicide.
Ms. Bailey has served as guest conductor for All-County, District, and Regional Orchestras in Fairfax and surrounding counties in addition to serving as adjudicator for the New York Orchestra Festival at Carnegie Hall and state assessments throughout Virginia. She has also served as audition coach for Senior Regional Prep Day in Fairfax and Spotsylvania Counties, and faculty member of the Virginia Governor’s School for the Arts in Richmond.
In addition to her post as Concertmaster of the Manassas Ballet Theatre Orchestra, Ms. Bailey also serves as Associate Concertmaster of the Alexandria Symphony Orchestra, Associate Concertmaster of the Fairfax Symphony Orchestra, and is an active freelance musician in the Washington area. In recent years Ms. Bailey has been a featured soloist with the Alexandria Symphony Orchestra, and chamber musician at the Sitka Music Festival in Alaska and the Highlands-Cashiers Chamber Music Festival in North Carolina.
Violist Yinzi Kong received her early training at the Shanghai Conservatory of Music and holds a master’s degree from the Manhattan School of Music. Ms. Kong enjoys a versatile career as both a soloist and chamber musician and has 20 plus years teaching experience. As a founding member of international award-winning Vega String Quartet, Ms. Kong won several top prizes at the Bordeaux International String Quartet Competition in France, the Carmel String Quartet Competition and the Coleman Competition in the US, and she performs in major concert halls around the world including the stages of Carnegie Hall, the Musikverein in Vienna and the Concertgebouw in Amsterdam. Festival concert appearances include Aspen, La Jolla, Rockport, Mostly Mozart, El Paso Pro Musica, Highlands-Cashiers, and Brevard. As a soloist, Miss Kong has given recitals in Canada, China, Italy and the US. Her collaboration partners are some of the finest musicians of our time including Eliot Fisk, William Preucil, Richard Stoltzman, Charles Wadsworth, Zuill Bailey, and the Eroica Trio. Her live performances have been broadcast on NPR's Performance Today, the National Radio of China, Shanghai TV, Radio France, France Musiques, and the East German Radio. She has recorded for Naxos and Artek. Miss Kong currently resides in Atlanta, where the Vega Quartet are full-time Artists-in-Residence at Emory University.
The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Midweek at Miner Music Center
Join us on Wednesday evening for music, friends, conversation, and lite refreshments in the beautifully renovated Miner Music Center at Stevenson Hall.
Doors open at 5:30 – come in, grab a drink, and socialize.
Music and interviews with musicians at 6:00
Space is limited to 50 people. Our brunch concert at the miner music center is sold out, so grab your tickets for this event now.
This week's performers to be selected from the following:
Helen Kim, violin
Yinzi Kong, viola
Allison Bailey, viola
Zuill Bailey, cello
William Ransom, piano
Jasmin Arakawa, piano
Natasha Paremski, piano
Helen Hwaya Kim made her orchestral debut with the Calgary Philharmonic at the age of six, and has gone on to become a respected and sought-after artist. She has appeared as a soloist with the Boston Pops at Boston’s Symphony Hall, as well as with the Milwaukee and Atlanta Symphony Orchestras.
Ms. Kim earned her Bachelor and Master's Degree from the Juilliard School, where her teachers included Cho-Liang Lin and Dorothy DeLay. While at Juilliard, she served as Concertmaster of the Juilliard Orchestra and was the winner of the Juilliard Concerto Competition at both the Pre–College and College levels. She is the recipient of more than one hundred national and international awards. She won the prestigious Artists International Competition in New York and, as a result, gave debut recitals at Carnegie Weill Hall and the Aspen Summer Music Festival.
A native of Canada, Ms. Kim has been engaged by many of Canada's leading orchestras, including the National Arts Center Orchestra, Montreal Metropolitan Orchestra, Vancouver Symphony, Calgary Philharmonic, McGill Chamber Orchestra, and the Windsor, Regina, Victoria and Prince George Symphonies. She has also appeared with the DeKalb, New Orleans, Aspen and Banff Festival Orchestras, and with orchestras in the United Kingdom, Germany and Poland.
Ms. Kim has been profiled on national and international television and has appeared on CBC, PBS and CBS networks. Her performances have been aired on NPR and CBC radio networks.
Ms. Kim has toured extensively throughout Canada and the United States, including performances at Alice Tully Hall and the Santa Fe and La Jolla International Music Festivals, where she performed with Cho-Liang Lin, Gary Hoffman, Andre Previn, and the Orion String Quartet. She performed Bach’s Double violin concerto with Hilary Hahn at the Amelia Island Chamber music festival. Other festival highlights include performances at the Highlands-Cashiers, Banff, Zenith and Sitka International Chamber Music Festivals.
An avid performer of new music, she can be heard on the recent CD release of the works of Alvin Singleton on Albany records. Helen performed the world premiere of the “Concertino” by Chen Yi, scored for solo violin and orchestra that was commissioned especially for her and the KSU Orchestra and was recently released by Centaur in 2016.
Ms. Kim currently resides in Atlanta, Georgia, where she served as Assistant and Associate Concertmaster for the Atlanta Symphony for three seasons. She is currently the Assistant Concertmaster of the Atlanta Opera Orchestra and recently joined the roster of the Atlanta Chamber Players.
Hailed by Gramophone for her ‘characterful sparkle’, Jasmin Arakawa has performed widely in North America, Central and South America, Europe, China and Japan. A prizewinner of the Jean Françaix International Music Competition, she has been heard at Carnegie Hall, Salle Gaveau in Paris and Victoria Hall in Geneva, as well as in broadcasts of the ABC Australia, BBC, PBS and Radio France. She has appeared as a concerto soloist with the Philips Symfonie Orkest in Amsterdam, Orquestra Sinfonica de Piracicaba in Brazil, and numerous orchestras in the United States and her native Japan. Other performance highlights include guest artist appearances at the Toronto Summer Festival, Ribadeo International Music Festival in Spain, Bicentenaire de Chopin in Switzerland, Scotiabank Northern Lights Music Festival in Mexico, Festival de Música de Cámara in Peru, Festival Internacional de Música Erudita de Piracicaba in Brazil, Dame Myra Hess Memorial Concert Series, Fazioli Piano Pure Series in Chicago and Distinguished Concerts International New York. Arakawa released her debut solo album Klavierabend on MSR Classics to critical acclaim, praised by American Record Guide for her ‘rich lyricism’ and ‘supreme clarity’.
She has a special interest in Spanish repertoire, which grew out of a series of lessons with Alicia de Larrocha. As a prizewinner of the Competition in the Performance of Music from Spain and Latin America and under the sponsorship of the Spanish Embassy, she subsequently recorded solo and chamber pieces by Spanish and Latin American composers.
Arakawa has collaborated with notable artists including cellists Zuill Bailey, Colin Carr and Gary Hoffman, flutists Jean Ferrandis, Marina Piccinini, and Carol Wincenc, clarinetist James Campbell, and the Penderecki String Quartet. In addition, she has served as Collaborative Pianist in Residence at the Banff Centre in Canada for three seasons. An advocate of new music, Arakawa has premiered and performed numerous contemporary works. Recently she released the complete works of Witold Lutosławski for violin and piano on PARMA Recordings with Canadian violinist Véronique Mathieu.
Jasmin Arakawa is a graduate of Tokyo University of the Arts. She holds Doctor of Music and Master of Music degrees in Piano Performance from Indiana University Jacobs School of Music, where she studied with Emile Naoumoff, the last protégé of Nadia Boulanger. A recipient of the 2016 Steinway Top Teacher Award, Arakawa has given master classes at China Conservatory of Music in Beijing, Conservatorio Nacional de Música in Peru, Instituto Baccarelli in Brazil, and numerous universities in North America and Europe. A sought-after adjudicator, Arakawa has served on the juries of international and national competitions, including the International Chopin Piano Competition for Latin American Pianists (Peru), New Orleans Piano Institute Competition (USA), and Beethoven International Piano Competition ASIA (Japan). Jasmin Arakawa is Associate Professor of Piano and Piano Area Coordinator at the University of Florida, UF Research Foundation Professor (2023-2025), and Director of the UF International Piano Festival.
Pianist, Artistic Director, Master teacher, editor and judge for international competitions, William Ransom regularly appears in recital, as soloist with orchestras, and as a chamber musician in Eastern and Western Europe, Japan, Korea, South America, Mexico, Canada, and throughout the United States. He has performed in New York’s Weill Hall at Carnegie Hall, Alice Tully Hall, Town Hall, and Merkin Hall; in Orchestra Halls in Chicago, Detroit, Los Angeles, and Atlanta; at the National Gallery in Washington D.C.; and in Philadelphia, Boston, Miami, and Dallas.
He has been invited to perform for the American Ambassadors to Austria, Japan, Korea, the Netherlands, and Ireland, and his performances have been broadcast on National Public Radio and Television in the United States, Japan, Korea, Argentina, and Poland. His recording of Enoch Arden, by Richard Strauss, The Music of Alfredo Barili, Chamber Music of Johannes Brahms and “Listening to Memories” with Chopin, Brahms and Bach were released on the ACA label. Mr. Ransom can also be heard on Heartkeys, from Rising Star Records.
Ransom commissioned and premiered several major works by composer Stephen Paulus including his “Concerto for Piano and Wind Ensemble,” and he was also the featured pianist performing music by Dwight Andrews used in August Wilson’s Pulitzer Prize-winning Broadway hit, The Piano Lesson, as well as the Hallmark Hall of Fame movie based on the same play.
A popular performer on many University concert series, he has performed at numerous colleges around the world including Yale, Cornell, Duke, Tulane, Vanderbilt, M.I.T., Stanford, Toho (Japan), Yonsei (Korea), and the School of the Arts (Argentina) where he has also given masterclasses.
Born in Boston, Ransom began his musical studies at an early age. He was a scholarship student of William Masselos at The Juilliard School in New York (BM and MM), and he also worked with Theodore Lettvin at the University of Michigan (DMA) and Madame Gaby Casadesus at the Ravel Academy idn France.
Ransom is the Mary L. Emerson Professor of Piano at Emory University in Atlanta. He is founder and Artistic Director of the Emory Chamber Music Society of Atlanta collaborates with such artists as cellists Yo-Yo Ma, Steven Isserlis, and Zuill Bailey; clarinetist Richard Stoltzman; members of the Emerson, Juilliard, Tokyo, Cleveland, St. Petersburg, American, Ariel, Parker, Vega, Borromeo, Lark, Cavani, Attacca, and Muir String Quartets; violinists William Preucil, Elmar Oliviera, Tim Fain, and Robert McDuffie; guitarist Eliot Fisk, and members of the Empire Brass Quintet, the Eroica Trio and the percussion group Nexus among many other classical musicians. He has also worked with jazz great Dave Brubeck and American bluegrass masters Chris Thile and Mark O’Connor.
In the summers, Ransom is Artistic Director of the Highlands-Cashiers Chamber Music Festival in North Carolina and for ten years was also an artist-faculty member of the Kamisaibara Pianists Camp in Japan. In 2016 he was named Artistic Director of the Juneau Jazz & Classics Festival and also one of Musical America Worldwide’s “30 Musical Innovators.”
Allison Bailey began violin studies at the age of four, developed a love for orchestral playing, and became the youngest member of the Prince William Symphony Orchestra at age ten. Ms. Bailey attended Peabody Conservatory of Music, the University of Oregon, and the Manhattan School of Music. She holds a Bachelor’s degree, Graduate Performance Diploma, a Master’s degree in violin performance, and a Master’s degree in orchestral performance.
Prior to returning to Virginia in 1999, Ms. Bailey lived and worked in New York City, where she experienced a variety of performing engagements including frequent orchestral performances at Carnegie Hall, recording sessions at Sony studios for Quincy Jones Productions, performing on the soundtrack to the A&E Biography of Irving Berlin, and coaching actress Juliana Margulies in a violinist role for the NBC hit drama Homicide.
Ms. Bailey has served as guest conductor for All-County, District, and Regional Orchestras in Fairfax and surrounding counties in addition to serving as adjudicator for the New York Orchestra Festival at Carnegie Hall and state assessments throughout Virginia. She has also served as audition coach for Senior Regional Prep Day in Fairfax and Spotsylvania Counties, and faculty member of the Virginia Governor’s School for the Arts in Richmond.
In addition to her post as Concertmaster of the Manassas Ballet Theatre Orchestra, Ms. Bailey also serves as Associate Concertmaster of the Alexandria Symphony Orchestra, Associate Concertmaster of the Fairfax Symphony Orchestra, and is an active freelance musician in the Washington area. In recent years Ms. Bailey has been a featured soloist with the Alexandria Symphony Orchestra, and chamber musician at the Sitka Music Festival in Alaska and the Highlands-Cashiers Chamber Music Festival in North Carolina.
Violist Yinzi Kong received her early training at the Shanghai Conservatory of Music and holds a master’s degree from the Manhattan School of Music. Ms. Kong enjoys a versatile career as both a soloist and chamber musician and has 20 plus years teaching experience. As a founding member of international award-winning Vega String Quartet, Ms. Kong won several top prizes at the Bordeaux International String Quartet Competition in France, the Carmel String Quartet Competition and the Coleman Competition in the US, and she performs in major concert halls around the world including the stages of Carnegie Hall, the Musikverein in Vienna and the Concertgebouw in Amsterdam. Festival concert appearances include Aspen, La Jolla, Rockport, Mostly Mozart, El Paso Pro Musica, Highlands-Cashiers, and Brevard. As a soloist, Miss Kong has given recitals in Canada, China, Italy and the US. Her collaboration partners are some of the finest musicians of our time including Eliot Fisk, William Preucil, Richard Stoltzman, Charles Wadsworth, Zuill Bailey, and the Eroica Trio. Her live performances have been broadcast on NPR's Performance Today, the National Radio of China, Shanghai TV, Radio France, France Musiques, and the East German Radio. She has recorded for Naxos and Artek. Miss Kong currently resides in Atlanta, where the Vega Quartet are full-time Artists-in-Residence at Emory University.
The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Community Crab Feed
Bring your friends and the whole family to this annual community and feast on delicious Dungeness crab with all the fixin's prepared by Our Town Catering. The event is scheduled to take place at the Crescent Harbor Shelter from 3:00-5:00pm Sunday, June 16. Tickets are available until sold out. NEW this year - we have no added ticket fees for online buyers - so buy your ticket in advance before we sell out!
The community crab feed is a fundraiser for the Sitka Music Festival. The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Simply Three Returns to Sitka! - Summer Subscription Concert Number 6
Join us for our sixth summer subscription concert featuring the sensational trio, Simply Three. If you missed them in Sitka last time, don't miss them this time. Below is a video of "Amazing Grace" that was partially filmed here in Sitka on their last visit.
Program will be announced from stage with various classical cross over tunes from pop to hymns to classical crossover.
CLASSICALLY TRAINED. POP INFLUENCED. STRING DRIVEN.
The electrifying trio of Glen McDaniel, Nick Villalobos, and Zack Clark, together known as Simply Three, has been captivating audiences worldwide with high-octane performances since 2010. Acclaimed as “having what it takes” (Boston Philharmonic) and “highly imaginative and well played” (Maine Today), Simply Three continues to receive praise for their ability to impress listeners with a multitude of genres that span from artists and composers such as Adele, Gershwin, Coldplay, twenty one pilots, Ed Sheeran, and Michael Jackson. By reshaping convention through this style of genre hopping, the trio continues to seek the true essence of classical crossover with original works as well as innovative arrangements that showcase their technical virtuosity and heartfelt musicality.
With an ever-growing online popularity, Simply Three is creating a renewed excitement for instrumental music through inventive music videos that have captured the hearts of millions of YouTube viewers across the globe. Furthermore, their works have gained great critical recognition by publications such as The Huffington Post, Rolling Stone, and RyanSeacrest.com, as well as mainstream artists themselves. Chart-topping rockers OneRepublic praised Simply Three’s version of their hit single “Counting Stars,” exclaiming they “LOVE this ‘Counting Stars’ cover!” Additionally, GRAMMY®-nominated R&B sensation Janelle Monáe proclaimed the trio’s project of her hit singles “Cold War” and “Tightrope” to be “an honor” while making it a highlighted feature of her personal website.
Simply Three has old school training but a new school sound. Their quest to look beyond the scope of possibility has led them to collaborate with some of the world’s most creative musicians, including Kellindo Parker (Janelle Monáe), Alyson Stoner, and Jeff Smith (M-Pact), in hopes of creating a new, fresh genesis for string playing. With this, the trio is able to merge shows into a unique synergy of thrilling performances and tone-rich sounds not soon to be forgotten.
The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Chopin: Etudes en Jazz with Matt Herskowitz - Summer Subscription Concert Number 5
Join us for our fifth summer subscription concert featuring the pianist Matt Herskowitz. Matt will be performing his Chopin/Herskowitz program of Chopin: Etudes en Jazz that was recently featured on medici.tv. The program features Chopin's daring virtuosity and singing melodies paired with jazz inflections and voicing by Matt Herskowitz. The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Bach's Lunch
Join us at noon at the Odess Theater for Bach's Lunch! Wondering what Bach's Lunch is all about? It's a FREE lunchtime community concert where you can savor classical music while enjoying your own Bach's (boxed) lunch. Connect with fellow music lovers, meet the talented artists, and delve into the beauty of classical tunes in a relaxed setting.
June 13 will feature:
Simply Three
Natasha Paremski, piano
Zuill Bailey, cello
Matt Herskowitz, piano
The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Simply Three at Mean Queen
Join YouTube phenomenon, Simply Three for a short set preview of the weekend concert at the Mean Queen! Doors open at 5 p.m. and the music starts at 6 p.m.
Arrive at 5, order your favorite Mean Queen food and/or beverage, and watch the concert.
This concert will feature Simple Three and is their first appearance in Sitka since being here in 2022.
CLASSICALLY TRAINED. POP INFLUENCED. STRING DRIVEN.
The electrifying trio of Glen McDaniel, Nick Villalobos, and Zack Clark, together known as Simply Three, has been captivating audiences worldwide with high-octane performances since 2010. Acclaimed as “having what it takes” (Boston Philharmonic) and “highly imaginative and well played” (Maine Today), Simply Three continues to receive praise for their ability to impress listeners with a multitude of genres that span from artists and composers such as Adele, Gershwin, Coldplay, twenty one pilots, Ed Sheeran, and Michael Jackson. By reshaping convention through this style of genre hopping, the trio continues to seek the true essence of classical crossover with original works as well as innovative arrangements that showcase their technical virtuosity and heartfelt musicality.
With an ever-growing online popularity, Simply Three is creating a renewed excitement for instrumental music through inventive music videos that have captured the hearts of millions of YouTube viewers across the globe. Furthermore, their works have gained great critical recognition by publications such as The Huffington Post, Rolling Stone, and RyanSeacrest.com, as well as mainstream artists themselves. Chart-topping rockers OneRepublic praised Simply Three’s version of their hit single “Counting Stars,” exclaiming they “LOVE this ‘Counting Stars’ cover!” Additionally, GRAMMY®-nominated R&B sensation Janelle Monáe proclaimed the trio’s project of her hit singles “Cold War” and “Tightrope” to be “an honor” while making it a highlighted feature of her personal website.
Simply Three has old school training but a new school sound. Their quest to look beyond the scope of possibility has led them to collaborate with some of the world’s most creative musicians, including Kellindo Parker (Janelle Monáe), Alyson Stoner, and Jeff Smith (M-Pact), in hopes of creating a new, fresh genesis for string playing. With this, the trio is able to merge shows into a unique synergy of thrilling performances and tone-rich sounds not soon to be forgotten.
The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Allen Marine Classical Music Cruise
Join us Sunday, June 9 from 6 p.m. - 8 p.m. aboard an Allen Marine catamaran for our popular evening cruise concert. The boat departs from the Crescent Harbor Shelter at 6:00pm and returns at 8:00pm. Take in breathtaking views of Southeast Alaska and wildlife while enjoying world-class chamber music, a catered meal by Edith of Our Town Catering, and a. cash bar while cruising through the water just off Sitka.
This event always sells out and we are back to a standard size boat this year, so get your tickets fast!
This is a fundraiser for the Sitka Music Festival.
The Sitka Music Festival, a 501 (c)(3) Nonprofit, is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
“This Event is Sponsored by Allen Marine Tours, Supporting Southeast Alaska Through Tourism!”
Zuill Bailey & Friends Play Chopin & Brahms - Summer Subscription Concert Number 4
Join us for our fourth summer subscription concert featuring our Grammy-winning Artistic Director, Zuill Bailey with a line up of past festival favorites, Benjamin Breen, Martin Sher, Natasha Paremski, and Awadagin Pratt. The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Pianissimo!!! Awadagin Pratt & Natasha Paremski - Summer Subscription Concert Number 3
Join star pianists Awadagin Pratt and Natasha Paremski for a musical journey with music by Philip Glass, Francois Couperin, Pēteris Vasks, Fred Hersch, Chopin, Rachmaninoff, Stravinsky, and Prokofiev. The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Bach's Lunch
Join us at noon at the Odess Theater for Bach's Lunch! Wondering what Bach's Lunch is all about? It's a FREE lunchtime community concert where you can savor classical music while enjoying your own Bach's (boxed) lunch. Connect with fellow music lovers, meet the talented artists, and delve into the beauty of classical tunes in a relaxed setting.
June 6 will feature:
Awadagin Pratt, piano
Natasha Paremski, piano
Zuill Bailey, cello
Martin Sher, viola
Ben Breen, violin
The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Midweek at Miner Music Center
Join us on Wednesday evening for music, friends, conversation, and lite refreshments in the beautifully renovated Miner Music Center at Stevenson Hall.
Doors open at 5:30 – come in, grab a drink, and socialize.
Music and interviews with musicians at 6:00
Space is limited to 50 people. Our brunch concert at the miner music center is sold out, so grab your tickets for this event now.
June 5 will feature selections by the following artists:
Zuill Bailey, cello
Benjamin Breen, violin
Martin Sher, viola
Awadagin Pratt, piano
Natasha Paremski, piano
Zuill Bailey, widely considered one of the premiere cellists in the world, is a Grammy Award winning, internationally renowned soloist, recitalist, Artistic Director and teacher. His rare combination of celebrated artistry, technical wizardry and engaging personality has made him one of the most sought after and active cellists today.
Mr. Bailey has been featured with symphony orchestras and music festivals worldwide. He won the Best Solo Performance Grammy Award in 2017, for his recording of Michael Daugherty’s “Tales of Hemingway,” with the Nashville Symphony led by Giancarlo Guerrero. His extensive discography includes his newest release – the world premier recording of Ellen Taaffe Zwilich’s Cello Concerto with the Santa Rosa Symphony. In 2021 he released his second recording of the Bach Cello Suites for PS Audio’s Octave Records label, recorded and mixed in stereo and multichannel sound.
He appeared in a recurring role on the HBO series “Oz,” and has been heard on NPR’s “Morning Edition,” “Tiny Desk Concert,” “Performance Today,” “Saint Paul Sunday,” BBC’s “In Tune,” XM Radio’s “Live from Studio II,” Sirius Satellite Radio’s “Virtuoso Voices,” and his latest disc of Bach Suites was the disc of the week on Sirius’ Symphony Hall.
Mr. Bailey received his Bachelor’s Degree from the Peabody Conservatory where he was named the 2014 Johns Hopkins University Distinguished Alumni, and received a Master’s Degree from the Juilliard School. He performs on the “rosette” 1693 Matteo Gofriller Cello formerly owned by Mischa Schneider of the Budapest String Quartet.
He is the Artistic Director of El Paso Pro-Musica (Texas), the Sitka Summer Music Festival/Series and Cello Seminar, (Alaska), Juneau Jazz and Classics, (Alaska), the Northwest Bach Festival (Washington), Classical Inside Out Series- Mesa Arts Center (Arizona) and is Director of the Center for Arts Entrepreneurship and Professor of Cello at the University of Texas at El Paso.
Through his kaleidoscopic career as a pianist, conductor, educator, and curator of memorable musical moments, Awadagin Pratt is actively inventing the artistic world he longs to live in — a world that shines light on rich voices of the past and present, amplifies the diverse talents of today’s brightest creative minds, and paves the way for a new generation of inventive musical artists. Since launching onto the international stage after winning the prestigious Naumburg International Piano Competition in 1992 and receiving a 1994 Avery Fisher Career Grant, Awadagin has received acclaim for delivering “forceful, imaginative, and precisely tinted” performances (Washington Post) and is hailed as “one of the great and distinctive American pianists and conductors of our time” (WGBH). He has appeared at addresses as familiar as 1600 Pennsylvania Avenue (at the invitation of the Clinton and Obama administrations) and Sesame Street (at the invitation of Big Bird). His breakneck concert schedule has taken him across six continents for performances with the Boston and Chicago Symphony Orchestras, the New York Philharmonic, and many others; solo recitals at the Kennedy Center, Carnegie Hall, and Lincoln Center; and chamber music collaborations with Zuill Bailey, Simone Dinnerstein, and the Harlem and St. Lawrence String Quartets. Highlights of Awadagin’s 2023/24 season include concerto appearances with the Nashville, Utah, Bournemouth, and Annapolis Symphonies; A Far Cry at Boston’s Jordan Hall; and the Cincinnati, Manitoba, New Century, and IRIS Chamber Orchestras. Recital engagements include performances at Kaufman Music Center’s Merkin Hall, a program of four-hand music with Simone Dinnerstein at the Washington Performing Arts Society, and an appearance at the Irving S. Gilmore International Piano Festival. August 2023 marks the release of his first album for New Amsterdam Records, STILLPOINT, which explores the truth and beauty found within T.S. Eliot’s Four Quartets through newly composed works by Tyshawn Sorey, Paola Prestini, Pēteris Vasks, Jessie Montgomery, Jonathan Bailey Holland, Alvin Singleton, and Judd Greenstein. Between performances at the piano, Awadagin maintains a bustling conducting career. This 23/24 season marks his first as Principal Conductor of the Miami Valley Symphony Orchestra and a return to the podium of the Chamber Orchestra of Pittsburgh. He recently made his conducting debut with the Georgia Symphony Orchestra (Tbilisi); his operatic debut leading Porgy and Bess with the Greensboro Opera (North Carolina); and conducted a concert featuring the music of jazz great Ornette Coleman with Bang on a Can at the Brooklyn Academy of Music. But Awadagin’s creativity cannot be confined to the stage alone. After witnessing the globally broadcast execution of George Floyd by officers of the Minneapolis Police Department, he published a podcast that quickly evolved into a multimedia musical experience. Performed primarily on college campuses across the U.S., Awadagin Pratt: Black in America fuses the music of Bach, Messaien, and Liszt with still and moving pictures by filmmaker Alrick Brown and an original narration in which he chronicles his life — from his time as a music student at the Peabody Conservatory through his ascent to international acclaim — through graphic accounts of numerous police stops and arrests he experienced for Driving While Black. In 2023, a documentary film version of Awadagin Pratt: Black in America directed by Michelle Bauer Carpenter aired in more than one million U.S. households and screened at film festivals across the country. Awadagin’s commitment to ushering in the next generation of agile, creative, and inventive pianists is evidenced by his work as founding director of the Next Generation Festival, the Art of the Piano Foundation, and the Nina Simone Piano Competition, a new biennial competition that celebrates diversity in classical music by showcasing the tremendous talents of young Black pianists. He has adjudicated the Rubinstein International Piano Master Competition, Cleveland International Piano Competition, Minnesota e-Competition, Unisa International Piano Competition, and the International Competition for Young Pianists created in memory of Vladimir Horowitz. Having recently left his position as Professor and Artist in Residence at the University of Cincinnati College-Conservatory of Music (CCM) after two decades, Awadagin is now Professor of Piano at the San Francisco Conservatory. He remains the only graduate of the Peabody Institute to earn performance certificates in three areas — violin, piano, and conducting — and has received the Distinguished Alumni Award from Johns Hopkins University and honorary doctorates from Illinois Wesleyan University, Susquehanna University, and the Boston Conservatory.
Natasha Paremski
With her consistently striking and dynamic performances, pianist Natasha Paremski reveals astounding virtuosity and profound interpretations. She continues to generate excitement from all corners as she wins over audiences with her musical sensibility and a powerful, flawless technique.
Natasha is a regular return guest of many major orchestras, including Minnesota Orchestra, San Francisco Symphony, Grant Park Festival, Winnipeg Symphony, Kitchener-Waterloo Symphony, Oregon Symphony, Elgin Symphony, Colorado Symphony, Buffalo Philharmonic, Virginia Symphony, and Royal Philharmonic Orchestra with whom she has performed and toured frequently since 2008 in venues such as Royal Albert Hall, Royal Festival Hall, and Cadogan Hall. She has performed with major orchestras in North America including Dallas Symphony Orchestra, Los Angeles Philharmonic Orchestra, San Diego Symphony, Toronto Symphony, Baltimore Symphony, Houston Symphony, NAC Orchestra in Ottawa, Nashville Symphony. She has toured extensively in Europe with such orchestras as Bournemouth Symphony Orchestra, Vienna’s Tonkünstler Orchester, Royal Scottish National Orchestra, Orchestre de Bretagne, the Orchestre de Nancy, Royal Liverpool Philharmonic Orchestra, Tonhalle Orchester in Zurich, Moscow Philharmonic, under the direction of conductors including Thomas Dausgaard, Peter Oundjian, Andres Orozco-Estrada, Jeffrey Kahane, James Gaffigan, JoAnn Falletta, Fabien Gabel, Rossen Milanov and Andrew Litton. In addition, she has toured with Gidon Kremer and the Kremerata Baltica in Latvia, Benelux, the United Kingdom and Austria as well as appearances with National Taiwan Symphony Orchestra in Taipei.
Natasha has given recitals at the Auditorium du Louvre in Paris, Wigmore Hall, Schloss Elmau, Mecklenburg-Vorpommern Festival, Verbier Festival, San Francisco Performances, Seattle’s Meany Hall, Kansas City’s Harriman Jewell Series, Santa Fe’s Lensic Theater, Ludwigshafen BASF Series, Teatro Colon in Buenos Aires, Tokyo’s Musashino Performing Arts Center and on the Rising Stars Series of Gilmore and Ravinia Festivals.
A passionate chamber musician, Natasha is a regular recital partner of Grammy winning cellist Zuill Bailey, with whom she has recorded a number of CDs. Their Britten album on Telarc debuted at No. 1 on the Billboard Classical Chart, remaining there for a number of weeks, in addition to being featured on The New York Times Playlist. She has been a guest of many chamber music festivals such as Jeffrey Kahane’s Green Music Center ChamberFest, the Lockenhaus, Toronto, Sitka Summer Music, and Cape Cod Chamber Music festivals to name a few.
Natasha was awarded several prestigious prizes at a very young age, including the Gilmore Young Artists prize in 2006 at the age of eighteen, the Prix Montblanc in 2007, the Orpheum Stiftung Prize in Switzerland. In September 2010, she was awarded the Classical Recording Foundation’s Young Artist of the Year. Her first recital album was released in 2011 to great acclaim, topping the Billboard Classical Charts, and was re-released on the Steinway & Sons label in September 2016 featuring Islamey recorded on Steinway’s revolutionary new Spirio technology. In 2012 she recorded Tchaikovsky’s Piano Concerto No. 1 and Rachmaninoff’s Paganini Rhapsody with Royal Philharmonic Orchestra and Fabien Gabel on the orchestra’s label distributed by Naxos.
With a strong focus on new music, Natasha’s growing repertoire reflects an artistic maturity beyond her years. In the 2010-11 season, she played the world premiere of a sonata written for her by Gabriel Kahane, which was also included in her solo album.
Natasha continues to extend her performance activity and range beyond the traditional concert hall. In December 2008, she was the featured pianist in choreographer Benjamin Millepied’s Danses Concertantes at New York’s Joyce Theater. She was featured in a major two-part film for BBC Television on the life and work of Tchaikovsky, shot on location in St. Petersburg, performing excerpts from Tchaikovsky’s First Piano Concerto and other works. In the winter of 2007, Natasha participated along with Simon Keenlyside in the filming of Twin Spirits, a project starring Sting and Trudie Styler that explores the music and writing of Robert and Clara Schumann, which was released on DVD. She has performed in the project live several times with the co-creators in New York and the U.K., directed by John Caird, the original director/adaptor of the musical Les Misérables.
Natasha began her piano studies at the age of four with Nina Malikova at Moscow’s Andreyev School of Music. She then studied at San Francisco Conservatory of Music before moving to New York to study with Pavlina Dokovska at Mannes College of Music, from which she graduated in 2007. Natasha made her professional debut at age nine with El Camino Youth Symphony in California. At the age of fifteen she debuted with Los Angeles Philharmonic and recorded two discs with Moscow Philharmonic Orchestra.
Born in Moscow, Natasha moved to the United States at the age of eight, becoming a U.S. citizen shortly thereafter, and is now based in New York City where she is Artistic Director of the New York Piano Society, a non-profit organization that supports pianists whose professions lie outside of music.
The Sitka Music Festival, a 501 (c)(3)Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Recognized as one of Australia's outstanding violinists, Benjamin Breen made his New York recital debut at Weill Recital Hall at Carnegie Hall. He has since toured in Australia, Europe, the United States and Japan, receiving critical acclaim both as soloist with orchestra, in recital and as chamber musician. Breen has also premiered works dedicated to him by the eminent Australian composer Peter Sculthorpe. In Australia he has made television appearances on ABC-TV and the 9 Network and participated in radio broadcasts on ABC-FM, ABC Radio National, 2MBS-FM & 3MBS-FM. His growing list of U.S. broadcast credits include performances on WNYC, WITF, and National Public Radio.
Breen began studies at the age of 5 in Sydney. At 11 he entered the Sydney Conservatorium of Music, where his teachers were John Harding and Janet Davies. After pursuing studies in Germany, he returned to Australia, where he participated in master classes with Valery Klimov, Igor Ozim and Raphael Hillyer. Participation in the Melbourne Summer Music Festival with Pinchas Zukerman led Mr. Breen to continue his studies in New York. At The Juilliard School, Breen studied violin with Stephen Clapp and chamber music with Samuel Sanders and Paul Doktor. He subsequently continued violin studies with violinist Harry Shub in New York, whose pedagogy influenced him greatly. As chamber musician he has appeared at the Aspen Next Generation, Telluride and Sitka music festivals. Performances with pianist Milton Kayehave led to the release of Breen's debut recording of the Brahms Sonatas on the Tall Poppies label available world-wide. Tall Poppies have also released "Cafe Fiddle" a critically acclaimed album of encores and audience favorites. Ben Breen is also the Artistic Director of the Hudson Chamber Society presenting a diverse series of Chamber Music at the Yamaha Piano Salon in Midtown Manhattan. His violin is a Giuseppe Guarneri filius Andrea the "ex-Boyle" from 1712 with a bow by Joseph Henry. He also performs on a violin made by Boris Sverdlik in Cremona 2005.
Martin Sher is the Senior Vice President for Artistic Planning and Programs at the New World Symphony. Mr. Sher is a violist who holds performance degrees from the Peabody Institute of The Johns Hopkins University and the State University of New York at Stony Brook. He was a member of the Colorado Symphony and a guest musician with the Berlin Philharmonic.
He is the former Vice President and General Manager of the North Carolina Symphony. In that role, he was in charge of artistic planning, orchestral operations and the orchestra’s education programs. The North Carolina Symphony’s mission is to serve the citizens of the state. Mr. Sher was a member of the leadership team that brought that mission to life in inventive ways that integrated artistic excellence and community service. His strategic inclusion of new music in the North Carolina Symphony’s programming led to their inclusion in the inaugural SHIFT Festival at the Kennedy Center, celebrating the vitality, identity and extraordinary artistry of orchestras and chamber orchestras nationwide.
The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Sea Mart Family Concert - FREE
Join us on the lawn of the Sheldon Jackson Campus for our FREE Sea Mart Family. The concert is about an hour long featuring family friendly music and discussion followed by ice cream. Come rain or shine and bring a chair! We have tents up in the event of rain. The Sitka Music Festival is Alaska’s premier chamber music presenter.
Arianna String Quartet - Summer Subscription Concert Number 2
Join the Arianna String Quartet for the second subscription concert of the 53rd Sitka Summer Music Festival. The program will feature music by Carlos Simon, Schubert, and will finish with Claude Debussy’s only string quartet. The Sitka Music Festival is Alaska’s premier chamber music presenter.
Arianna String Quartet with Zuill Bailey, cello - Summer Subscription Concert Number 1
Join the Arianna String Quartet with Grammy-winning cellist, Zuill Bailey for the opening concert of the 53rd Sitka Summer Music Festival. The concert will feature music by George Walker, Tchaikovsky, and Arensky. The Sitka Music Festival is Alaska’s premier chamber music presenter.
53rd Summer Festival Schedule Outline & Subscription Information
The 53rd Summer Music Festival will be held from May 28 - June 23, 2024.
Housing goes fast in Sitka during the summer, so book housing now!
https://visitsitka.org/where-to-stay is a great resource to find lodging.
Subscriptions to Harrigan Centennial Hall Concerts Now Available
Individual event tickets and concert descriptions are on our home page.
Schedule:
Café Concert & House Concert Times & Locations TBA - Usually on Tuesdays & Wednesdays Starting May 28
Special Events:
Sunday, June 2 - Family Concert
Sunday, June 9 - Classical Music Cruise
Sunday, June 16 - Community Crab Feed
Sunday, June 23 - Classical Music Brunch
Subscription Concerts at Harrigan Centennial Hall
Friday, May 31 at 7 p.m.
Saturday, June 1 at 7 p.m.
Friday, June 7 at 7 p.m.
Saturday, June 8 at 7 p.m.
Friday, June 14 at 7 p.m.
Saturday, June 15 at 7 p.m.
Friday, June 21 at 7 p.m.
Saturday, June 22 at 2:30 p.m. (Matinee Concert)
Bach’s Lunch - Thursday 12 p.m. FREE Concerts
May 30, June 6, June 13, and June 20
Summer Festival 2024 Opening at Mean Queen
Join us for the opening of the 53rd Summer Music Festival at the Mean Queen! Doors open at 5 p.m. and the music starts at 6 p.m.
Arrive at 5, order your favorite Mean Queen food and/or beverage, and watch the concert.
This concert will feature the Arianna String Quartet with musical selections to be announced.
Hailed for their outstanding musicianship, the Arianna String Quartet has established itself as one of America's finest chamber ensembles. Their performances have been praised for “tonal warmth, fastidious balance and expressive vitality” (Chicago Tribune) and “emotional commitment and fluent virtuosity,” (Pretoria News, South Africa). Formed in 1992, the ASQ garnered national attention by winning the Grand Prize in the Fischoff Chamber Music Competition, First Prize in both the Coleman and Carmel Chamber Music Competitions, and were Laureates in the Bordeaux International String Quartet Competition.
The Arianna Quartet has appeared throughout North America, in South America, Europe, Asia, and South Africa. They have collaborated with many of the world’s most celebrated musicians, including members of the Vermeer, Tokyo, Cleveland and Juilliard Quartets, and their live performances have been heard on National Public Radio’s “Performance Today,” and “Live from Music Mountain”, which broadcasts to 125 stations in the U.S. and to 35 countries. The ASQ has recorded for Albany Records and Urtext Digital Classics, and extensively with Centaur Records. In addition to their critically acclaimed recording of the two string quartets of Janácek (“These performances of the Arianna String Quartet demonstrate how technical excellence, in alliance with imagination and the human heart, can come to create something truly transcendent.”-Fanfare), the ASQ has also recently completed their recordings of the Complete String Quartets of Beethoven (“I can’t stop listening to these performances. They thrill me, enthrall me, and arouse emotional responses in me of an intensity that can’t be described.”-Fanfare).
The members of the Arianna String Quartet serve on the faculty at the University of Missouri-St. Louis as professors of violin, viola, and cello. On the UMSL campus, the Arianna Quartet presents their own concert series, and also enriches the academic experience of students outside of the Music Department by visiting classes in physics, business, history, philosophy, art, and language to actively demonstrate the interdisciplinary connections between music and these seemingly disparate disciplines. The ASQ also presents an interdisciplinary performance and lecture series “First Mondays with the ASQ”, at KWMU, St. Louis Public Radio. The Arianna Quartet were recipients of the 2022 University of Missouri-St. Louis Chancellor’s Award for Excellence in Collaborative Research and Creativity.
For over ten years, the Arianna Quartet has directed the Intensive Quartet Program at the Festival of Music in Santa Catarina, Brazil, working every year with young professional quartets from throughout South America. Additional highlights for 2022-23 have included concerts throughout the United States, returns to Madeline Island Chamber Music (WI), the Music Mountain Concert Series (CT), the Cedar Valley Chamber Music Festival (IA), and performances at the Jazz and Classics Music Festival in Juneau, as well as concerts in Anchorage and Sitka (AK).
The Arianna String Quartet also hosts their own summer chamber music festival in St. Louis each June featuring young quartets and students from the US and abroad. More information about the Arianna Chamber Music Festival can be found at ariannacmf.org.
This concert generously sponsored by Mean Queen.
The Sitka Music Festival, a 501 (c)(3) Nonprofit is Alaska's premier chamber music presenter with the mission of providing the finest classical music experience in Alaska through performance and education.
Winterlude
Join soprano Danielle Talamantes for an intimate evening at the Miner Music Center at Stevenson Hall. Doors will open at 5:30 p.m. for Prosecco and wine at an open bar with lite fare. Music will follow featuring Romantic French chanson and Duke Ellington Standards.
Dress code is open - you can choose to wear your operatic finest or come in Xtratufs.
Space is limited and last year's event sold out - reserve your tickets today!
Selections of French chanson
Gabriel Fauré (1845 - 1924)
Aprés un Rêve
Chanson d’Amour
En Sourdine
Tres arias
Joaquín Turina (1882 - 1949)
Romance
El pescador
Rima
Selections from Ten Poems of James Joyce
Henry Dehlinger (1966 - )
Strings in the Earth and Air
Alone
At That Hour
Selections from Moments in Sonder
Elizabeth Brittany Boykin (1989 - ), poetry by Maya Angelou
Tears
Passing Time
How Can I Lie to You
The Lesson
Selections from the American Songbook
Duke Ellington (1899 - 1974)
Solitude
Don’t Get Around Much Anymore
Sentimental Mood
Danielle Talamantes –
“It’s not often that an operagoer is fortunate enough to witness the birth of a star!,” noted of Soprano Danielle Talamantes’ recent turn as Violetta in La Traviata with Hawaii Opera Theatre. Last season she made her Washington National Opera début as Maria Hernández in Kamal Sankaram’s Rise as part of their production Written in Stone, returned to her signature role as Mimì in Puccini’s La Bohème with Jacksonville Symphony and three world premiers: Mosaic for Earth by composer Dwight Bigler at her Alma Mater, Virginia Tech, the rhapsody written for Talamantes and orchestra based on T.S. Eliot’s iconic poem The Love Song of J. Alfred Prufrock with the National Philharmonic, and the stunning choral cantata Kohelet with the Washington Master Chorale and Santa Clara Master Chorale; the latter two works by acclaimed composer Henry Dehlinger. The conclusion of the season was with the Fairfax Symphony in the Beethoven Symphony No. 9 and a debut as guest soloist with the Buffalo Philharmonic.
This season’s engagements include Mahler’s Symphony No. 4 and Ginastera’s Milena with the National Philharmonic, Verdi’s Requiem with the Pensacola Symphony and the NC Master Chorale, Britten’s War Requiem with Opera Roanoke, Handel’s Messiah with The US Naval Academy, as well as concerts with Lyric Fest, Choralis, and the Artist Series of Sarasota.
Recent seasons performances include Frasquita in Bizet’s Carmen and Anna in Verdi’s Nabucco with The Metropolitan Opera, Beatrice in Catán’s Il postino with VA Opera, Marzelline in Beethoven’s Fidelio with Princeton Festival; Violetta in La traviata with Hawaii Opera Theater, Cedar Rapids Opera Theatre, and Finger Lakes Opera, Mimì in La bohème with St Petersburg (FL) Opera and Jacksonville Symphony; the title role of Susannah with Opera Roanoke; Donna Anna in Don Giovanni with Cedar Rapids Opera Theater; and a Spoleto Festival USA début as Sergente in Cavalli’s Veremonda.
Professional recordings include At That Hour: Art Songs by Henry Dehlinger on the Avie Record Label; Canciones españolas and Heaven and Earth: A Duke Ellington Songbook on the MSR Classics label.
Alaska Airlines' Winter Classics - Hermitage Piano Trio
Sunday, February 11
4 p.m. – Hermitage Piano Trio
Trio in G minor “Elégiaque”
Sergei Rachmaninoff (1873 – 1943)
Élégie, Op 23
Josef Suk (1874 – 1935)
Trio in C minor, Op. 1, No. 3
Ludvig van Beethoven (1770 – 1827)
Perelló – Tres Impresiones
Mariano Parelló (1886 – 1960)
Trio in C
Gaspar Cassado (1897 – 1966)
Now entering their second decade, the United States-based Hermitage Piano Trio has solidified its place as one of the world’s leading piano trios, garnering multiple GRAMMY® Award nominations and receiving both audience and press accolades for their performances that The Washington Post singled out for “such power and sweeping passion that it left you nearly out of breath.”
The Trio is a champion of immense repertoire ranging from the works of the great European tradition to more contemporary American pieces. Hallmarks of the Hermitage Piano Trio are their impeccable musicianship, sumptuous sound and interpretative range, which have led to demand for many repeat performances. They have appeared on major chamber music series and festivals in Los Angeles, New York, Boston, Philadelphia, Miami, Washington, D.C., Tucson, Portland (OR), Tulsa, San Diego, Corpus Christi, Newport (RI), San Miguel de Allende (Mexico), Winnipeg (Canada), New Orleans, and many others. In addition to their extensive touring engagements, the Trio is involved in educational and outreach projects.
Hermitage Piano Trio began its multiple-album recording deal with Reference Recordings, debuting its CD titled “Rachmaninoff,” which featured Sergei Rachmaninoff’s two trios and his unforgettable Vocalise. Echoing many enthusiastic reviews of the “Rachmaninoff” recording, The Stradlauded the Trio’s “outstanding playing in intense, heartfelt performances,” and American Record Guide praised that “the Hermitage wants to burst forth with passion, to let the whole world know! I am really glad that someone can still play that way in our utterly unromantic age.” Their second album “Spanish Impressions,” released in September 2023, has the Trio exploring the rich and diverse musical heritage of early 20th century Spanish composers, including works by Arbós, Turina, Cassadó and Perelló.
”More striking even than the individual virtuosity was the profound level of integration among the players, who showed a rare degree of ensemble from beginning to end.
- The Washington Post
A rarity in the chamber music world, this elite Trio brings together three accomplished soloists in their own right. An established soloist, violinist Misha Keylin has performed in forty-five countries spanning five continents. He has captured special attention with his world-premiere CD series, released by Naxos, of Henri Vieuxtemps seven violin concertos and showpieces. These recordings have already sold hundreds of thousands of copies worldwide and have garnered numerous press accolades and awards, including “Critic’s Choice” by The New York Times, Gramophone, and The Strad. Hailed as “a brilliant cellist” by the legendary Mstislav Rostropovich, Sergey Antonov went on to prove his mentor’s proclamation when he became one of the youngest cellists ever awarded the gold medal at the world’s premier musical contest, the quadrennial International Tchaikovsky Competition. Antonov’s entry into this elite stratum of sought-after classical artists has already placed him on stages at world-renowned venues from Russia’s Great Hall at the Moscow Conservatory to Suntory Hall in Tokyo. And pianist Ilya Kazantsev, praised by The Washington Post as “virtually flawless,” has performed as a recitalist and a soloist with orchestras in Russia, Canada, Europe, and the United States. Mr. Kazantsev’s many awards and honors include first prize at the Nikolai Rubinstein International Competition (France) as well as top prizes at the International Chopin Competition (Russia) and the World Piano Competition (USA).
Alaska Airlines' Winter Classics - Danielle Talamantes
Saturday, February 10
7 p.m. – Danielle Talamantes, soprano with Henry Dehlinger, piano
Selections of French chanson
Gabriel Fauré (1845 - 1924)
Aprés un Rêve
Chanson d’Amour
En Sourdine
Tres arias
Joaquín Turina (1882 - 1949)
Romance
El pescador
Rima
Selections from Ten Poems of James Joyce
Henry Dehlinger (1966 - )
Strings in the Earth and Air
Alone
At That Hour
Selections from Moments in Sonder
Elizabeth Brittany Boykin (1989 - ), poetry by Maya Angelou
Tears
Passing Time
How Can I Lie to You
The Lesson
Selections from the American Songbook
Duke Ellington (1899 - 1974)
Solitude
Don’t Get Around Much Anymore
Sentimental Mood
Danielle Talamantes –
“It’s not often that an operagoer is fortunate enough to witness the birth of a star!,” noted of Soprano Danielle Talamantes’ recent turn as Violetta in La Traviata with Hawaii Opera Theatre. Last season she made her Washington National Opera début as Maria Hernández in Kamal Sankaram’s Rise as part of their production Written in Stone, returned to her signature role as Mimì in Puccini’s La Bohème with Jacksonville Symphony and three world premiers: Mosaic for Earth by composer Dwight Bigler at her Alma Mater, Virginia Tech, the rhapsody written for Talamantes and orchestra based on T.S. Eliot’s iconic poem The Love Song of J. Alfred Prufrock with the National Philharmonic, and the stunning choral cantata Kohelet with the Washington Master Chorale and Santa Clara Master Chorale; the latter two works by acclaimed composer Henry Dehlinger. The conclusion of the season was with the Fairfax Symphony in the Beethoven Symphony No. 9 and a debut as guest soloist with the Buffalo Philharmonic.
This season’s engagements include Mahler’s Symphony No. 4 and Ginastera’s Milena with the National Philharmonic, Verdi’s Requiem with the Pensacola Symphony and the NC Master Chorale, Britten’s War Requiem with Opera Roanoke, Handel’s Messiah with The US Naval Academy, as well as concerts with Lyric Fest, Choralis, and the Artist Series of Sarasota.
Recent seasons performances include Frasquita in Bizet’s Carmen and Anna in Verdi’s Nabucco with The Metropolitan Opera, Beatrice in Catán’s Il postino with VA Opera, Marzelline in Beethoven’s Fidelio with Princeton Festival; Violetta in La traviata with Hawaii Opera Theater, Cedar Rapids Opera Theatre, and Finger Lakes Opera, Mimì in La bohème with St Petersburg (FL) Opera and Jacksonville Symphony; the title role of Susannah with Opera Roanoke; Donna Anna in Don Giovanni with Cedar Rapids Opera Theater; and a Spoleto Festival USA début as Sergente in Cavalli’s Veremonda.
Professional recordings include At That Hour: Art Songs by Henry Dehlinger on the Avie Record Label; Canciones españolas and Heaven and Earth: A Duke Ellington Songbook on the MSR Classics label.
Alaska Airlines' Winter Classics - Zuill Bailey & Timothy Smith
Friday, February 9
7 p.m. – Zuill Bailey, cello & Timothy Smith, piano
Kol Nidrei, Op. 47
Max Bruch (1838 – 1920)
Cello Concerto
Édouard Lalo (1823 – 1892)
Cello Concerto No. 1
Dmitry Shostakovich (1906 – 1975)
Zuill Bailey, widely considered one of the premiere cellists in the world, is a Grammy Award winning, internationally renowned soloist, recitalist, Artistic Director and teacher. His rare combination of celebrated artistry, technical wizardry and engaging personality has made him one of the most sought after and active cellists today.
Mr. Bailey has been featured with symphony orchestras and music festivals worldwide. He won the Best Solo Performance Grammy Award in 2017, for his recording of Michael Daugherty’s “Tales of Hemingway,” with the Nashville Symphony led by Giancarlo Guerrero. His extensive discography includes his newest release – the world premier recording of Ellen Taaffe Zwilich’s Cello Concerto with the Santa Rosa Symphony. In 2021 he released his second recording of the Bach Cello Suites for PS Audio’s Octave Records label, recorded and mixed in stereo and multichannel sound.
He appeared in a recurring role on the HBO series “Oz,” and has been heard on NPR’s “Morning Edition,” “Tiny Desk Concert,” “Performance Today,” “Saint Paul Sunday,” BBC’s “In Tune,” XM Radio’s “Live from Studio II,” Sirius Satellite Radio’s “Virtuoso Voices,” and his latest disc of Bach Suites was the disc of the week on Sirius’ Symphony Hall.
Mr. Bailey received his Bachelor’s Degree from the Peabody Conservatory where he was named the 2014 Johns Hopkins University Distinguished Alumni, and received a Master’s Degree from the Juilliard School. He performs on the “rosette” 1693 Matteo Gofriller Cello formerly owned by Mischa Schneider of the Budapest String Quartet.
He is the Artistic Director of El Paso Pro-Musica (Texas), the Sitka Music Festival/Series and Cello Seminar, (Alaska), Juneau Jazz and Classics, (Alaska), the Northwest Bach Festival (Washington), Classical Inside Out Series- Mesa Arts Center (Arizona) and is Director of the Center for Arts Entrepreneurship and Professor of Cello at the University of Texas at El Paso.
Timothy Smith, who has been described as "A pianist who interlaces grace with bursts of power and color" by the Philadelphia Inquirer, and "an excellent pianist" by Vers l'Avenir (Belgium) is Professor of Piano and head of Piano Studies at the University of Alaska Anchorage. Raised in Seattle, Washington, Smith began private piano studies at age five, and at ten was accepted into the Pre-College division of the Juilliard School. He made his orchestral debut at the age of 15. His undergraduate studies were at the University of Washington in Seattle, with Bela Siki, where Smith received numerous awards and scholarships. He continued graduate study as a scholarship student of Martin Canin at Juilliard where he received his Master of Music degree, and later at the State University of New York at Stony Brook, again with Martin Canin, where he was awarded the Doctorate of Musical Arts in 1985. Dr. Smith has won major prizes and recognition in international competitions, including the Casadesus (5th prize), Gina Bachauer (4th prize), Washington, D.C. International (3rd prize), Queen Elizabeth (Brussels) (semi-finalist), among others. As a winner of the Artists International Competition, Smith made his New York recital debut in Carnegie Recital Hall. He has appeared with many orchestras, including the Seattle and Utah Symphonies, the Palo Alto Chamber Orchestra, as well as orchestras in Anchorage, Japan, and China (see below). Smith has performed on National Public Radio, WQXR-FM (New York), RTB (Belgium), and others. He has given master classes in Japan, Korea, Hong Kong, Taiwan, and China, PRC, and also in North and South America. He has given over 50 concerts in Asia, including many venues in Japan: Tokyo, Osaka, Nagoya, Sendai, Sapporo, and many others, from Asahigawa in the north to Kure in the south. In the U.S., his students have received honors and recognition in local, state, regional, and national competitions, and have been featured on NPR and on WQXR-FM in New York. He has recorded for Seoul Records (Korea), is listed in Who's Who among America's Teachers, and American Keyboard Artists. Previous to his appointment at UAA, Smith taught class piano at the Juilliard School, and undergraduate piano at the State University of New York at Stony Brook. In addition to teaching piano at UAA, Dr. Smith teaches Chamber Music and Piano Master Class. Smith has extensive university administrative experience, with 19 years as Chair of the Department of Music, and currently as Associate Dean for the Fine Arts at UAA. As Department Chair in the 1990s, Smith led the department to receive its accreditation with NASM. His solo recording, Timothy Smith plays Liszt, has been released nationally by Albany Records and is currently available online at MSR Classics, and also on iTunes. Of this recording, Adrian Corleonis of Fanfare Magazine wrote, "...impressive and towering...one of the more gripping accounts of the (Liszt) Sonata in recent memory."
Smith gave a solo recital in Seattle's Town Hall and was a featured performer on KING-FM radio. He also gave a solo recital and master class at the University of Hawaii. His performance of the Khachaturian concerto with the Anchorage Symphony Orchestra, conducted by Randall Fleischer, was a huge success. Other concerts include a solo recital in Nagoya, Japan at the Fushimi Denki Bunka Kaikan, a Steinway hall, as well as solo recitals in Arcata, Santa Barbara, Sacramento, and in Vancouver, B.C. The past season Smith gave solo recitals in Anchorage, Baton Rouge (at LSU), and Tacoma (at Pacific Lutheran University). He also was a judge for the Simon Fiset competition in Seattle for the Seattle Music Teachers Association.
In another notable concert event, Smith gave two performances of a two piano concerto entitled"A Green Call" with pianist Sa Chen and the China National Symphony Orchestra, conducted by Terje Mikkelsen. The concert was held in the Poly Plaza theatre in Beijing, and it was repeated in the Tianqiao Theatre, also in Beijing, with the Norwegian Prime Minister in attendance. The first concert was videotaped and broadcast twice nationally over Chinese Television (CCTV, also known as Chinese Central Television.) It was also broadcast later in Norway.
In the summer of 2006, Smith had a very successful month long concert tour of the People's Republic of China, where he gave concerts in Ningbo, Jinan (2), Dongying, Baotou, and in Beijing, where he performed at the large concert hall in the Forbidden City. Master classes were also given in Ningbo, Jinan, Dongying, and Baotou.
Smith was invited to join the faculty of the Sewanee Summer Music Festival for its 2008 season, where he performed with such distinguished musicians as Janet Sung and Keith Redpath (violins), Hillary Hearndon (viola), and Paul York (cello). In August of 2010 Smith gave a concert with Japanese tenor John Ken Nuzzo in Nagoya, and that next month, Smith opened with the Anchorage Symphony as featured soloist, performing the Liszt Concerto No. 2 in A major. Two more concerts with tenor John Nuzzo followed that season, one in recital in Anchorage in January of 2011, followed by a "Japan Relief Concert" also in Anchorage in June.
In the summer of 2011, Smith performed across China on a concert tour covering six cities, resulting in six performances and three master classes (Dongying, Chongqing, and Suzhou). Performances were given in Lanzhou, Qingdao, Dongying, Chongqing, Guangzhou, and Suzhou. The concerts in Qingdao and Guangzhou were part of a larger "gala concert" where the artist shared the stage at alternate times with the local symphony orchestras. Lanzhou, Dongying, Chongqing and Suzhou were full solo recitals. In Chongqing, Smith was joined by pianist Sa Chen and a faculty member from the Beijing Conservatory who also contributed to the Chongqing performance. Smith was also joined by his wife Rumi where they were featured as duo pianists on several of the concerts. Both Smith and his wife gave master classes at the Chonqing School for the Arts, as a part of their International Summer Piano Festival. This was Smith's fourth invited trip to China.
Smith is currently working on a research project that involves the use of Tobii eye scanning technology to evaluate sight-reading habits of pianists. Possibilities for this technology may include improved tools and approaches for instruction in this area. The UAA Green & Gold News featured an article on this research project in April 2014.
Timothy Smith is a Steinway Concert Artist, and is the Sr. Associate Dean of the College of Arts & Sciences at UAA.
More than Just a Summer Festival – Alaska’s Premier Year-Round Chamber Music Presenter
Founded in 1972 by Paul Rosenthal, the Sitka Music Festival quickly established itself as a leading chamber music festival, drawing legendary musicians like Gregor Piatigorsky as early as 1974. The festival has also garnered national attention with features in the New York Times and Los Angeles Times. Now in its 53rd season, the Sitka Music Festival has evolved beyond its original summer focus to offer year-round programming across Alaska. In 2021, we rebranded to reflect this expanded vision, dropping “summer” from our name.
Under the leadership of Artistic Director Zuill Bailey, the festival has deepened its commitment to community engagement and educational outreach. In 2023 alone, we presented 79 events, with more than half offered for free. Our June festival in Sitka features four weeks of concerts and events, including at least one free performance each week. In July, the Sitka International Cello Seminar brings three weeks of concerts featuring renowned guest artists and talented fellows.
Since the early 1980s, the Sitka Music Festival has expanded its reach with the Autumn Classics concert series in September and Winter Classics in February, typically presenting nine concerts each year in Anchorage. Recently, we’ve extended these series to include performances in Ketchikan and Sitka, supported by Alaska Airlines.
Thanks to support from the National Endowment for the Arts, the Alaska State Council on the Arts, and the Atwood Foundation, our musicians travel to at least three other Alaska communities annually. Partnering with local arts organizations, schools, and borough governments, we have brought professional classical music performances to 42 Alaskan communities, from Selawik to Port Alexander.
What is Chamber Music?
Chamber music is classical music at its most intimate and inviting. It offers a unique opportunity to experience the nuances and interplay between musicians in a close, personal setting.
Attending a Concert for the First Time?
We want everyone to feel welcome at our concerts. There is no formal dress code—whether you arrive in your finest attire or wearing rain or snow gear, you’ll fit right in!